Friday 6 May 2016

Party Crashers


<< < Chapter Twelve > >>

On the elevator landing of the twenty-third floor of the dark, empty office building, there was a heavy grinding, whirring and thumping sound that echoed throughout the complex. The grinding stopped with a thump that made the the elevator doors shudder. There was silence for a moment before a small ding, then the doors opened. Inspector Edison stepped out, gun in hand, pointed skyward as he carefully peeked out of the doors.
 “Looks clear,” he says, stepping out. The Duke followed behind him, laser spanner in hand, scanning the surrounds with a red beam of light. Edison withdrew his flashlight and lit the way in front of them. “What is this place?”
 “This facility was used by the Eighty-Eight,” said the Duke. “They were using it to try to integrate Belosian and Rathean technology.”
 “And they were trying to stick Duke’s Orb in a spacejet,” said Anise “Didn’t work out too well, they basically made a smart-bomb with enough rocket fuel to drown the whole planet.”
 “Uh huh,” said Edison. “So, you’ve met the Eighty-Eight before?”
 “We didn’t know who they were at the time,” said the Duke. “I thought they were just daft scientists, who’d made a deal with a rogue Time-Traveller. Here, this is it.”
Edison saw a door which had been forced open, the door jamb and strikeplate snapped off. He peeked around the corner, then stepped inside.
 “Whoa . . .” said Edison as he saw the smashed window. “What happened here?”
The night air was cool, but rather still, whistling softly around the edges of the smashed window.
 “Runaway spacejet,” said the Duke with a sigh as he looked around the empty floor. “They’ve packed up their cables, their equipment . . . “
 “So, you’re saying that they set up a space-ship in here?” said Edison, looking around. “How did it fit?”
 “It was relatively small,” said the Duke.
 “Well, they probably just broke in, then,” said Edison approaching the Duke. “I’ve seen this kind of organized crime operation before. Break in, use the space for some ‘nefarious purpose’, then break out. It makes it harder to find, since there’s no paper trail.”
 “Wouldn’t they have to be pretty clever to have snuck an alien spaceship into an office building?” asked Anise.
 “Not really,” said the Duke, scanning the room with different spectrums of laser. “Besides residual exhaust, and the window, there really is no trail here, paper or otherwise.”
 “They’re obviously a dedicated group of individuals,” said Edison. “Did you really think that finding the Eighty-Eight would be that easy?”
 “Not really, no. But at least we’re exploring all possibilities,” said the Duke.
 “There’s something I’ve been wonderin’ . . . ” said Anise, when her pocket starts ringing. “Oh, uh . . . one second, guys. This is Anise,” she says, answering her phone.
 “Annie, where are you?” asked a bubbly voice on the other end of the phone.
 “Uhh . . . out?”
 “It’s almost half-past eight, you said you’d come out wi’ me.
 “To . . .?”
 “Simon’s!” said the voice excitedly, “Come on, he even got a band. Mate o’ his, kinda cute.
 “Oh, uh . . . one moment,” said Anise. She hugged the phone to her shoulder. “Uh, Duke? I was invited to a party, like, pre-time-travel ago?”
 “You’re telling me this because . . .?” said the Duke.
 “Because I don’t know what to do. I know we’re busy on this space mission stuff, but if I don’t go, Bee will know somethin’s up. But, we are busy, aren’t we?”
 “Doesn’t look it,” said the Duke. “There are no leads here. How long is this party?”
 “Overnight.”
 “Hmm,” said the Duke, stroking his beard, “Well, that being the case, I don’t see why not.”
 “Okay. Ya, I’m good,” Anise says into the phone. “But hey, can I bring a friend? Or two?”
 “You filthy girl . . . yeah, sure, but stop dilly-dallyin’! Oh, and bring drinks.” Bianca hangs up.
 “Bye, Bianca . . .” says Anise sarcastically, putting the phone in her pocket.
 “Did I just hear you invite us?” said Edison.
 “Of course, you’re my mates,” said Anise. “Is that a problem?”
 “Definitely not,” said the Duke. “And it gives me the chance to scan over this planet . . . when does the revelry begin?”
 “Actually, we’re already late,” said Anise.
 “Nonsense,” said the Duke, heading towards the door. “I’m never late, the party begins when I arrive.”
 “Right . . .” sighed Edison, and the two followed him down the hall and into the elevator, where the Duke’s timeship was nested within.
The Duke immediately moved to the centre console, and began typing into the console.
 “So, what’re you scannin’ the planet for?” asked Anise.
 “Naquadah,”
 “Knack guitar?” asked Edison. “Why are you searching for that?”
 “Because the Eighty-Eight collect alien technology, yet for reasons I don’t quite understand, alien technology seems to be scattered all throughout your world, so that alone doesn’t help us,” said the Duke. As he spoke, the screen displayed a holographic display of earth, and covered it in a spherical grid-pattern. “But there’s one piece of tech’ that I can track: The wormhole generator.”
 “The what?” said Anise.
 “Ring-shaped device, nine chevrons? You don’t recall?”
 “Oh, right, the portal-thingy!”
 “ . . . yes, the ‘portal-thingy’. Well, the portal-thingy is made out of naquadah, which is a very rare material. If I scan your entire planet for it, when I find it, that will lead us straight to the Eighty-Eight.”
 “Okay,” says Anise.
 “Wait, hold up a second,” says Edison. “The reason you know they have a wormhole . . . thingy, is because you were there, and we left through a portal. Can’t we just go back the same way we left? Through a wormhole?”
 “Definitely not,” said the Duke. “For starters, it would be pointless. My goal is not to barge in with a big gun and wreck the place, and if I even tried I’d be killed in the process, that facility was the belly of the beast, and that generator was especially valuable to them. They captured me and risked decimating your world to keep it from being destroyed. No, I wish to understand the Eighty-Eight, so that I can find a way of stopping them without bloodshed. Only a madman would go face to face with an enemy he can’t perceive.”
 “Oh, yeah . . .” said Anise, “I was gonna ask before, before the call - If there are only eighty-eight of them, well, we know a lot of them already, right? We’ve seen Tattoos, Baldy, Traveller-lady, McDoctor & half a dozen guys in that warehouse. That’s about ten down, right?”
 “We can’t assume that ‘Eighty-Eight’ refers to the number of members,” said the Duke. “It could mean a whole lot of things . . . it’s the atomic number of Radium, the number of moons in the Sutides system, the number of . . . well, uh . . .”
 “It’s the number of keys on a piano?” offered Edison.
 “Yes. As well, it’s the approximate lifespan, in Earth years, of homo sapiens.”
 “And, uh . . . oh!” Edison clicks his fingers. “The DeLorean! It goes eighty-eight miles an hour to go back in time!”
 “. . . the what?” said the Duke. “I can’t even translate that.”
 “It’s from Back to the Future. It’s a movie.”
 “‘Movie’ . . . ? Oh, right, the hologram-like ‘film’ projection. Anise mentioned it. You might have to show me at some point, it sounds fascinating,” said the Duke as he stepped up to the console. “Anyway, the point is that we can’t be sure, so we need to keep an open mind, and look for more clues. In the meantime, Anise, I see no reason not to attend this party of yours. Where is it?”
 “Peckham, close to Warwick Gardens. Do you know how to get there?”
 “No, but if I access a detailed scan of the surrounds, I could get a facsimile of the cityscape. I just need you to point me in the right direction . . .”

The Lift flew through the night sky, softly groaning and whining as it moved effortlessly and precisely, an elevator car outside of its chute with exposed wires and brackets. The ship stopped still for a moment in the middle of the air, then began to descend. It landed softly at the kerb where several cars of other partygoers had parked. Inside, the Duke shut down the engine and moved around the console to a different set of controls.
 “Alright . . . just need to execute the scan,” said the Duke, he jabbed at the holographic keyboard with one finger, and immediately a large circle appeared, with the label "00.0%" hovering in the centre. “This will take several hours to scan the entire planet, pole to pole.”
 “Cool. Well, let’s go,” said Anise. The three of them stepped onto the road, but as the Duke locked the doors behind them, Anise stopped suddenly and spun around.
“Oh, crap, I forgot. Duke? Bee told me to get drinks.”
 “Drinks?” asked the Duke
 “Yeah, I usually bring wine or some bubbly.”
 “Oh, of course . . . I can help with that,” said the Duke. He turned around and unlocked the ship. After a minute, he’d entered the ship, and returned holding a large, black bottle.
 “Oh no . . .” murmured Edison.
 “What’s that?” asked Anise.
 “New Capitol black wine,” said the Duke. “It’s an antique vintage; made from nugberries fermented in the digestive enzymes of Howling mountain algae.”
 “You never told me it was fermented in algae,” said Edison.
 “Didn’t seem relevant,” said the Duke, gesturing forward. “Now, shall we?”
Anise lead the three up to a two-storey, square brick house nestled into a small block of suburbia. Anise knocked on the door, and as the three waited, they heard muffled pop-rock music through the walls.
The door opened to the sound of slightly too loud music and to the sight of a short woman with peroxide-blonde hair.
 “Annie? You got here quick.”
 “Hey, Bee. Sorry I’m late, I was doin’ some stuff . . .” she said, grabbing her friend in a hug. “I didn’t forget about you, darlin’.”
 “Not a problem, Annie,” she said, returning the hug. “But who’s this?”
Bianca released her friend, and smirked at the sight of the Duke.
 “Hello, tall-dark-and-handsome,” she said, then she turned to Edison, “and Prince Charming.”
 “Bee, this is Duke and Edison.”
 “Yes, feel free, you’re all welcome. Come right on in, boys.”
Bianca stepped inside, and the three followed her into a cosy entryway with a staircase to the right and striped creamy wallpaper. She headed to the end where there was a small kitchen, but the air filled with sound as they passed a doorway to the left where several dozen people were enjoying themselves, and a band and their equipment was crammed in the corner behind stuffy sofas; they were playing a cover of ”The Other Side”.
 “We’ve just got started,” said Bee, entering the kitchenette, “so you’ve not missed much, but Prem was going to line up some shots - hey, Sime! Simon, Annie’s here!”
A young man chatting in the dining room with light brown hair and rectangular, frameless glasses turned around; he had a black collar-less shirt and a bottle of cider in his hand.
 “Annie, darling. Great to see you,” he said, coming over and giving Anise a light, careful hug as though not to wrinkle her clothes.
 “Sime, it’s great to see you again,” said Anise, turning back “This is Duke and Edison.”
 “Ahh . . .” said Simon with a smile. “Which is which?”
 “Edison,” said the Inspector, with a nervous wave.
 “I’m the Duke,” said the Duke, and he stepped forward giving Simon a hug, just as Anise had done.
 “Well, hello . . .” said Simon with a smirk, as the Duke stood up once more.
 “Are you the host?”
 “That I am, it’s a pleasure to meet you.”
 “Then may I offer you a bottle of black wine from New Capitol, as thanks?” the Duke asked rhetorically.
 “Excellent, I never say no to wine,” said Simon, taking the offered bottle. “Looks expensive.”
 “I have several in the Lift wine cellar,” said the Duke, offhandedly.
 “Okay, I’ll find somewhere to put this,” said Simon. The Duke nodded respectfully as he stepped past them into the kitchen.
As the Duke looked over the dozen or so people laughing, chatting and drinking, he stepped back to face Anise, leant down and whispered in her ear. “I’m afraid this is different to what I’m accustomed to; how does one traditionally engage in a party on your world?”
Anise patted his shoulder.
 “It’s not all that organized. First, let’s get you guys a drink, then we go and talk to people. . .”
Anise went over to one guy who was short and had a lot of freckles on his face, she whispered something in his ear, and he nodded, then she went to the fridge and found some cider for the three of them. Handing each of them a bottle, she moved to the kitchen drawer.
The Duke examined the bottle in his hand, holding it with only three fingers, his ring and pinkie fingers pointing out.
 “Anise, the lid to this beverage has no spiralled thread; I cannot op-” Anise effortlessly popped the top off with a bottle-opener. “Intriguing . . .”
The Duke smelt the bottle and took a swig, then turned up his nose.
 “Time’s end! . . . that tastes rotten.”
 “It’s cheap cider, Duke,” said Edison, taking a sip and frowning, “I don’t drink, and I know that Old Rosie is swill.”
 “It’s not swill,” says Anise, opening her own bottle. “It’s scrumpy.”
 “Scrumpy? Call it whatever you want, it still tastes like apple juice and dishwater.”
Anise sipped her cider slowly and defiantly.
 “Alright,” said the Duke, putting his drink on the kitchen bench. “Now, who do we talk to?”
 “Anyone,” said Anise, picking up his drink and handing it back to him. “Don’t let your drink leave your sight. I trust Sime and his friends, but it’s a bad habit.”
 “Alright, who wants shots?” asked Simon, returning to the kitchen. “Prem, get over here.”
 “Shots?” said the Duke.
 “It’s a small glass of spirits or something strong,” said Anise.
As she spoke, a short Philippino man with blond tips in his hair lined up twenty plastic shot-glasses, put a pouring spout on a bottle of peach schnapps and expertly filled all twenty, only spilling a few drops on the bench when uprighting the bottle.
 “Whoops,” said Prem, putting down the schnapps bottle, “I . . . am drunk.”
Everyone picked up a shot, and Anise picked up two, handing one to the Duke. He moved to take a sip, but Anise stopped him.
 “Nuh-uh . . . you do it quick, tip and swallow . . .” Anise’s hair swished as she threw her head back to drain the shot.
The Duke followed suit.
 “That is incredibly sweet, and very alcoholic,” said the Duke, cringing as though he’d just licked a lemon. “Is this common practice at Earthly parties?”
 “Common enough. Why?”
 “It’s really not my style, I’m used to a much more formal gathering.”
 “Come on, do you never let your hair down?” asked Anise. The Duke raised an eyebrow, and Anise glanced up at his smooth, brown scalp. “Okay, never mind . . .”

High in the sky. there was a soft, bass humm in the air like a kind of gigantic bumblebee, as the Nembrian craft flew through the clouds. From the ground, the ship could not be heard, and looked like nothing more than a ripple; but above the clouds, it was a bulky, black and yellow machine the size of a dump truck which looked vaguely like an upturned armchair with four barrel-like engines pointing outwards and down, with a dome-like holographic projection underneath to cloak it.
Inside, the ship was softly lit, but the three occupants were wearing shiny black suits tight like a second skin, and wore brightly lit orange goggles with lenses the size of shoe-polish cans. They stood in a cramped room surrounded by buttons, levers and controls
One of the creatures croaked, pointing at a display in front of it, which showed a top-down image of the Duke’s timeship, and a scrolling scanner result with several thousand lines of data.
 “Roark, nyak-yek. Goyanshk errerngen,” it croaked, groaned and garbled meaningfully, turning to the other two in a voice harsh and guttural. “Browr-errk, nerg.”
 “Gallifrey’ak . . .” croaked one of the creatures.
 “Yek yek,” croaked the first. It scanned the area, the screen in front of it newly displaying several hundred red dots residing within the homes of the top-down view, but selected a light green dot which was surrounded by a dozen more that were red, and used the controls to surround the house in a yellow outline. “Nerg, oy grou browr-errk . . .”
The ship stopped and began to descend.

 “Good evening,” said the Duke, approaching a group of people chatting by the band, “I’m not quite used to this manner of scene. Are you all Simon’s associates?”
 “Yeah, duh . . .” offered one girl with a heavy fringe and black lipstick.
 “Well, I’ve only just met him this evening, I came with Miss Trevino. So, are you all co-workers? Cultural socialites? Academic disciples?”
 “Well, I work with him on the magazine, and I knew him in school,” offered one helpful man with long hair tied back in a ponytail, holding a wineglass.
 “Hey, did you say ‘Trevino’?” said one guy, with short brown hair and a beard who was holding a can of beer. “Anise Trevino?”
 “Yes,” said the Duke.
 “Where is she?” he asked, wiping some sweat from his cheek.
 “Well, approximately four metres to my rear, she’s standing next to Simon and Mr Edison, the blond-haired man-”
The man stepped past the Duke, headed towards the kitchen.
Anise’s face dropped as she saw the man.
 “Hey, Annie,” said the man. “It’s been a while.”
 “Hey, Swell,” said Anise, and the two stood awkwardly for a moment.
 “How’ve you been?” asks Swell.
 “I’m good,” says Anise.
 “Yeah, me too. Hey, uh, you didn’t respond to my text . . .”
Anise looked down at her shoes.
 “Swell, what are you doing?” said Bianca, stepping in when she saw the pair together.
 “Could you back off?” asked Swell, frowning. “We’re having a private conversation.
 “Can’t you take a hint?” said Bianca, “You’re a loser, Swell.”
 “Bee, don’t . . .” said Anise.
 “I don’t need you to tell me how she’s feeling! I want to talk to Anise.”
 “Is there a problem, here?” said the Duke, placing a hand on the man’s shoulder. Swell shrugged violently to get his arm off and stepped to the side.
 “Hey, don’t touch me, man.”
 “Duke, this is Maxwell . . .” said Anise, timidly.
 “Sir, you’re intoxicated,” said the Duke. “And if you don’t becalm yourself, I’ll eject you from this venue.”
Swell burst out laughing.
 “What the hell is this guy?” he said, pointing the hand holding the can at the Duke. “Is he who you’re with, is that it Annie? Are you sleeping with this guy? Is this why you’ve been bein’ such a bitch to me?”
 “Who ever taught you to speak to a woman like that?” asked the Duke.
 “Sorry Mister ‘white knight’. Or ‘black’ . . . whatever,” said Swell, turning back to Anise. “Look, this guy is a freakin’ nut cake.”
 “Swell, I went out with you because I thought you were sweet,” said Anise, frowning. “This isn’t sweet, you’re bein’ an arsehole. You’re just drunk, now let it go.”
 “I’m not DRUNK I’m PISSED!” said Swell, pointing his can at Anise. “You lead me on! And I trus-”
The Duke grabbed Swell’s hand, and twisted it behind his back so it looked like a limp chicken wing, then grabbed the back of his shirt.
 “I warned you,” said the Duke, as the man made a pained, whining sound.
 “Duke!” said Anise, shocked.
 “I won’t damage him.”
 “Let him go,” said Anise.
 “Yeah, what she said, let go of me you freak!”
The Duke nodded, and let go. As soon as he did, Swell spun around swinging a fist at his head, which the Duke sidestepped. Swell lost balance from the missed punch staggering over, so the Duke swung a swift uppercut that clocked the guy right under the jaw, dropping him like a sack of bricks on the living room carpet.
 “Woo!” said Bianca, “knockout!”
Anise frowned at her friend, then turned to the Duke.
 “Hey, can someone help me lift him onto the couch . . .” said Simon. Edison leant down to help him and Anise grabbed the Duke by the arm.
 “Duke, come here . . .” she said, and the Duke followed as she lead him out the kitchen door, and closed the door behind them so it was just them on some tiles behind the garage, which housed an old, blue Ford.
 “What on Earth was that?” asked Anise.
 “Just then?” said the Duke. “I was helping you to deal with an unsociable individual.”
 “You knocked him out, Duke, you call that help?”
 “Of course, he was threatening you.”
 “I was perfectly safe, Duke. He’s not stupid enough to hurt me, and even if he was I’m surrounded by friends.”
 “Then he was being idiotic,”
 “We’re all being idiotic, Duke, we’re drunk! That doesn’t mean you get to punch someone in the face!” said Anise.
 “Do you think he didn’t deserve it?”
 “That’s not the point, Duke. He was being a creep, but it’s because he’s immature and doesn’t know how to handle rejection; if you’d stayed out of it, I could have put him down gently and he’d slink off with his tail between his legs. You didn’t step in because you wanted to help, you did it because you wanted to ‘save me’.”
 “ . . . I don’t understand.”
 “Of course you don’t, you spend all day being a hero. But this is a party, Duke. I like that you’re decisive; I like that you’re in control under pressure. But you’re not saving the world today, Duke, you’re having drinks with my friends. I don’t want you trying to be a hero when I’m just trying to relax, okay?”
 “Alright . . .” said the Duke, and he nodded solemnly, “I’m sorry, Anise.”
 “Okay then. Apology accepted.”
As they stood there, there was the sound of high-pitched whirring and a clunk from deep in the garage.
 “Who was that?” asked the Duke.
 “A rat?” suggested Anise.
There was garbled croaking and a buzzing sound.
 “Do rats know how to operate a polyphasic drill?” said the Duke.
 “No . . .”
 “Then that was not a rat,” said the Duke. He placed his bottle of cider on the ground and removed the laser spanner from his pocket, pointing it at the garage door. With a flicker of red light from the spanner, the entire door automatically swung open, to nest up and over the blue car. Near the left side of the door, on the driveway, they saw a creature with orange goggles and a tight, black suit that jumped to its feet holding a strange, black device in its hands like a mix between a tommy gun and an electric drill.
 “Goyanshk!” croaked the creature, pointing the drill threateningly.
 “Easy now . . . I’m not here to hurt you,” said the Duke.
 “Nyak-yek wuark yarnch. Nrit grou!”
 “What’s he sayin’?” said Anise.
 “I don’t know, the translator’s not working,” said the Duke, stepping towards the creature. “I don’t want to harm you . . . put down the drill.”
The creature pressed a button on its belt.
 “Eeh-wa! Nerg!” it barked, and it suddenly jumped onto the roof, out of view. The Duke ran outside, and Anise followed behind. They heard a scampering sound which stopped suddenly, but as they got to the driveway and looked up at the roof, they couldn’t see the creature.
 “Where did it go?” asked Anise, stepping back to try to get a better view.
 “I have no idea. It appears to have just . . . disappeared,” said the Duke. “Perhaps it transmatted away, or jumped-”
 “Duke? What’s that?” asked Anise, pointing at the roof.
The Duke couldn’t see, so he walked back to join Anise. As he did, the new angle allowed for a full view of the roof tiles. On the roof, in what looked like bright sky-blue paint, were a series of alien symbols.
 “Now, that is fascinating . . . “ said the Duke.
 “Why, what does it say?” says Anise
 “I have no idea,” said the Duke. “The translator isn’t working, but not for lack of trying. The distinctive scythe and dot markings are similar to Mino, but I’ve never seen this particular language before. But, what’s interesting is that it’s only written on this house. Look around, only this house has been targeted.”
 “Simon’s house? Why?”
 “I’m not certain, but unless your friend is involved in some form of galactic espionage or astronomical research that you’re unaware of, the most reasonable conclusion is that they are targeting this house because I’m inside of it.”
 “And why would someone target you?” asked Anise.
 “You flatter me, Anise. I do have my fair share of enemies; but, considering that I’ve never met this species’ language before, it’s fair to say that I have no earthly idea.”
 “Well, what are we going to do?” asked Anise.
 “Nothing,” said the Duke.
 “Nothing?! But, what if we’re in danger?”
 “We’re probably not. Most of the time, although unusual, aliens are perfectly peaceful and harmless. I’ll scan the house for any more anomalies, you go and have drinks with your friends.”
 “Really? But, what about the alien-guy?”
 “If it’s around, I’ll find it. You’ll be perfectly safe. Trust me,” said the Duke, smiling. He began walking back into the garage, and Anise went back inside.

Edison leant over the couch, administering to the unconscious Maxwell as Simon stood behind him.
 “Is he going to be alright?” asked Simon.
 “Yes, he’s just knocked out. He’ll get a bruise on his neck, but there’s no real damage,” said Edison
 “It was a powerful blow, is your friend a boxer or something?”
 “No, he’s . . . more of a travelling scientist-pope good guy kind of thing.”
 “Okay,” said Simon, chuckling. “And what about yourself, Mister Edison, I’ve never met you before. You’re friends with Anise?”
 “Yeah, we both kinda met through the Duke.”
 “ . . . 'the’ Duke?”
 “Yeah, he’s kind of full of himself. But he deserves it, he’s a good guy; not all the time, but often when it counts.”
 “Do you love him?”
Edison looked shocked.
 “What? No. Why would you say that?”
 “Well, you’re bitching about him a lot, but you are clearly fond of him. I thought maybe he’d caught your eye. So, tall, dark and handsome isn’t your type?”
 “Uh . . . I mean, I don’t . . .” Edison ran a hand through his hair nervously. “That’s not really a thing that I, uh . . .”
 “What’s the matter? You are gay aren’t you?”
 “Shh!” Edison flinched, and he stood close enough to Simon so he could whisper. “I don’t like to advertise that. I don’t even know how you know.”
 “My gaydar is the best in London. I mean, the way you stand, the outfit, the way you act around Annie . . .” Edison sighed and stepped back from the couch.
“What’s the matter? Are you still in the closet?”
 “No, not really,” said Edison. “I just don’t like . . . I don’t think of it as very important.”
 “Isn’t it? It’s who you feel for - who you love - why keep it to yourself?” said Simon, and he added with a smirk. “plus, being gay has its perks.”
 “Look, I just prefer not to. Just leave it be, alright.”
 “Oh, but how can I?” asked Simon, stepping closer. “I’m fascinated. You’re not in the closet, so you’re not that ashamed of it, but you act as though you want to keep it a secret still.”
 “It’s not a secret,” said Edison. “But what is there to say? I like men - three words, that’s all there is to say.”
 “Now that’s not true,” said Simon. “You say you’re not a stereotype, but your boiling who you are down into a token, a bite-sized, watered-down tidbit of who you are. I mean, are you looking for love, do you like big guys or little guys? Bears, daddies, twinks? Are you looking to settle down, do you want kids? Do you like to play the field, or do you want that special man?”
 “No, I don’t do any of that,” said Edison
 “None? That sounds a bit sad.”
 “Sad? I’m not sad.”
 “Well, it’s like you’re looking at the candy store, but you refuse to go inside. I mean, do you actually want someone? One day?”
 “I don’t know,” said Edison. “Someday, maybe, but not now.”
 “Why not now?”
 “It wouldn’t be right . . .” said Edison, and he stared off into the middle distance. “It wouldn’t be right, while my father is alive.”
 “Ohh . . .” said Simon. “Now we’re getting somewhere . . .”

The front door opened and the Duke stepped back into the house, waving his spanner around as two red laser lights shone from each prong of the tuning-fork shaped device. He glanced around the house and shook his head.
 “Perfectly normal . . .”
He looked up as the girl with black lipstick stumbled into the entryway.
 “Hey, you’re the Dude, right?”
 “ . . . Duke.
 “Whatever, do you know where the bog is in this house?”
 “Bog? I’m afraid my translator seems to be malfunctioning this evening. Did you truly mean ‘bog’? Like a ‘swamp’?”
 “Look, guy, I don’t need your gibberish, I’ve gotta take a piss!” she said, crankily.
 “Oh, right. Well, there are no such facilities on the surface level, I can tell you that much.”
She huffed and walked past him, heading up the stairs. The Duke headed into the loungeroom through the side door, as the band stopped for a moment.
 “Hey, can someone get me a drink?” said the singer, in a Lancashire accent, and the man with a ponytail took a few steps towards them and threw a can in his direction. The singer caught it, cracked it and took a swig. “Alright, alright. I want to first say thank you . . . to Simon, I don’t do house parties, but Sime, I’d do anythin’ for you, mate for gettin’ our name on the map. Cheers.”
Anyone with a drink in hand raised their glass, can, shot or mug in respect. The singer skolled the can, then dropped it.
 “We are The Zingany Equation!” barked the singer, “And this is Be My Head!”
The drummer thrashed madly and they started another song. The Duke approached the centre of the room, pointing his laser spanner at the ceiling, when Bianca approached him holding two glasses of wine.
 “Duuuke, mate. What’re yeh doin’?”
 “Scanning the premises for any signs of unusual radiation; non-domestic energy; persistent fields; subspace anomalies . . . that kind of thing.”
 “Uh-huh . . . well, you don’t have a drink, mate,” she said holding out a glass.
 “Yes, I’m afraid I left it outside . . .” he said, peeling his eyes away from the ceiling. “But, I see you were diligent enough to have acquired me another. How thoughtful of you.”
The Duke cautiously took the glass from Bianca, only touching it with the thumb, middle and index finger of his free hand.
 “So, are you and Anise . . . official?” asked Bianca, having a sip of wine.
 “Official what?” said the Duke.
 “Y’know . . . are you exclusive?” said Bianca, in a harsh whisper. “Boyfriend, girlfriend . . . ?”
 “Oh . . .” said the Duke, looking back at his spanner. “No. No, we’re not.”
 “Oh?” said Bianca. “Then what did you do to get a plus-one to Simon’s?”
 “I saved the world,” said the Duke half-mindedly, as he scanned over the band’s electrical equipment.
 “So, you donated to charity or somethin’?” said Bianca, having another sip. “Well, you two seem pretty serious.”
 “I’m usually quite serious,” said the Duke, turning to look Bianca in the eye. “Especially with my friends. I take friendship very seriously.”
 “But, y’know . . . it seems like you really like one another. She seems into you.”
 “Does she?” asked the Duke, frowning slightly. “She does present a certain ‘fondness’, I thought of it as little more than social propinquity.”
 “I don’t know, she’s real easy with yer, and she only met you yesterday,” said Bianca. “And don’t you have feelin’s for her?”
The Duke took a slow breath, and stared off into space as he exhaled, the air buzzing lightly with Bianca’s anticipation.
 “ . . . do you hear that?”
 “What?” asked Bianca.
The Duke stepped past her and headed towards the glass doors leading to the backyard, dplacing his wineglass on the kitchen bench on the way past. He opened the door and the high-pitched whirring of a polyphasic drill could be heard. He stepped outside to see the alien, once more.
 “Stop right there,” said the Duke.
 “Nyak-yek will work, browr-errk,” said the creature, taking a thin, black tube from its belt. “Uk-nrug goyanshk party.”
 “Wait, please stop,” said the Duke. “The translator is deciphering your words. Please, wait.”
The creature dropped the tube into the hole, and with a sharp ZAP! sound, a line around the back of the house let off a plume of smoke, and instantaneously turned off all the power in the house.
 “Duke!” cried out Anise. The Duke glanced into the house and back at the alien.
 “I’ll get you later . . .” muttered the Duke, and he returned inside, closing the door behind him.
 “Anise, where are you?” asked the Duke. Several people took their phones from their pockets, turning up the brightness to use the screens as makeshift lanterns.
 “What’s happened, Sime?” someone asked. There was a loud creaking outside, then a soft rumbling sound underfoot.
 “Now, everyone, don’t worry. It’s an old house, we probably just blew a fuse with the amp. I have some replacements in the cupboard under the stairs . . .” said Simon. “Just sit tight, have another drink.

Outside, on the tiles behind the garage, there sat an abandoned bottle of cider. It rocked slightly from the rumbling of the building, and tipped over. The liquid spilled out and it pooled on the tile, but as the puddle grew large enough, the edge of the spill touched the softly glowing green line which had been placed there by the aliens, and sizzled, quickly evaporating into steam. The entire house was surrounded by this barrier, which was cut into the ground one foot deep.
The wind picked up, and rolled the bottle towards the barrier as well. As it crossed the line it rolled off the edge and fell. After a swift drop it landed on the ground intact, just a few metres from Simon’s birdbath in the backyard below, but where the house had been there was merely a square pit of dirt as the house which had occupied it was rising from the ground a few feet every second.

The Duke found Anise standing in the entryway, using her phone to help Simon see into the small stair cupboard.
 “Anise, are you alright?”
 “No,” she whispered. “The lights are out, I think it’s the aliens.”
 “I know it was, I saw him do it.”
 “Yes, but what am I supposed to tell everyone? I can’t tell them the truth,” said Anise.
 “Why not?”
 “Because aliens don’t exist. Not to these people, anyway. They’d be freaked out.”
 “Ah, yes . . . right, I’ll handle this.”
 “Alright, here we go,” said Simon, holding a fuse up to the light of Anise’s phone. “This one looks good.”
He stood up, walked the length of the entryway and opened the front door, where it was pitch black outside
 “Simon!” barked the Duke, jumping to stand behind him.
 “Yes?” said Simon, standing on the doormat. “What is it?”
 “Perhaps I could do that for you,” offered the Duke.
 “No, it’s just over here,” said Simon, as he took a step back, the Duke quickly grabbed his arm before he stepped off the ledge, just a few centimetres behind his right foot.
 “No, Simon, you should make sure your guests are alright,” said the Duke. “Besides, I have a nightlight.”
The Duke held up his laser spanner and pressed a button which made the two prongs brighten up like ignited magnesium.
Simon squinted and shielded his eyes.
 “Alright, alright, don’t blind me,” he said, handing the Duke the fuse. “Here, the fusebox is just by the rectangular plant pot . . .”
He stepped past the Duke back inside, and the timelord sighed heavily with relief.
 “Duke, is everything okay?” asked Anise, stepping behind him.
 “No, Anise, see for yourself, said the Duke. He stepped outside, holding the doorframe with one arm, and holding out the other to both point outwards and offer something to grab in case Anise tripped. She stood on the threshold and looked out at the brightly lit suburbia below.
 “Oh my gosh . . . we’re flying?”
 “Hanging,” said the Duke, pointing to a spot above them. “Those aliens were drilling holes to place forcefield projectors into the ground. Now they’ve connected nano-lattice winchwire to the projectors and have lifted us off the ground.”
 “Well, what can we do about the power?” asked Anise.
 “We were severed from the main line, this fuse won’t do anything,” said the Duke, throwing it over the edge. He turned around and opened the fuse-box, then jammed his spanner into one of the connections. With the press of a button, green arcs of electricity surrounded the fusebox, and the lights inside the house turned back on. There was the sound of applause and whooping from inside.
 “What did you do?”
 “I’ve set the spanner to supercharge, and connected it into the house’s main supply. It could last us at least forty-three hours.”
 “Forty-three ? . . . wait, what if you need your spanner to fix this?”
 “I’ll do my best to make do without,” said the Duke. “You said to keep extraterrestriality a secret.”
 “Yeah, but surely you need to get us on the ground too.”
 “I can do both; but only by surrendering my spanner for the sake of keeping the lights on.”
 “So, how are you goin’ to get us down?”
 “I’m going to have a little chat with our alien visitors,” said the Duke. “I think the translator circuit is finally beginning to decipher their language. If I can discover why they have decided to take this house for a joy-flight, perhaps I can convince them to put it back.”
 “‘If’, ‘why’, ‘perhaps’? That’s not very encouraging, Duke.”
 “Do you trust me, Anise?”
 “Yes.”
 “Then trust me when I tell you that this is in all likelihood a simple misunderstanding, and I can get us all back on the ground even before my ship completes its scan,” said the Duke, with a grin.
“You go inside, and have drinks with your friends . . . and, if at all possible, make sure that people stay away from the windows and doors.”
 “Alright,” said Anise, and she went back inside the house.

Edison was standing beside the band, looking out the window behind them at the swiftly distancing suburbia below, when Anise entered the living room, telling people that the Duke had fixed the fuse. He went over to speak to her
 “Anise, what is going on?” he asked.
 “Oh, uh, aliens,” she said so only he could hear her over the band.
 “What, here?” he said, shocked. “Well, what’s the plan of attack?”
 “Duke’s handling it, just make sure everyone stays calm,” she said. “Don’t let them look out the windows and stuff.”
 “Right . . .” said Edison.
Anise snuck around the back of the kitchen and started to close the curtains as Edison locked the doors leading to the backyard.
 “What are you doing?” asked Simon, approaching Edison.
 “Nothing,” said Edison, taking three steps away from the door.
 “I’m glad,” said Simon, having a sip of a glass filled with what Edison recognized as black wine. “I was hoping I could continue our chat.”
 “I’m a little busy . . . and there’s not much more to say.”
 “But, you said your father knows you’re gay. I mean, what’s the problem.”
 “Look, I don’t want to talk about it.”
 “Why not?” says Simon. “Look, we’ve all gone through the coming out, some have it easier than others. I mean, I lost several friends when I came out, got into a few fights. Do you hate your father that much?”
 “No,” said Edison angrily. “I love my father! But he’s ashamed of who I am. The day I came out, he didn’t say anything, he didn’t even smile, he just sat there while my mother did all the talking. The next day, he took me out to the farm and taught me how to shoot. The next day he forced me to learn self-defense; I could never dance or sing or . . .” Edison sighed heavily and shook his head. “He said he was going to make a real man out of me. The fact is, he always thought that being gay made me weak, that I was never good enough. That’s why I don’t want to talk about it.”
Simon was dumbstruck as Edison pushed past him to close the front curtains.

The Duke was lying on the ground, peering over the edge where the house had been severed from the ground. He wiped a finger across the green, shimmering forcefield and quickly whipped his hand away, shaking it.
 “Lacks thermostatic shielding, they must be primitive space-farers,” muttered the Duke. He stood up, and moved around the edge of the house. The porch to the house was inset from the garage, but the edge was cut sheer one inch in front of the garage entrance, so the Duke clings to the side of the garage door mechanism to step around the pillar and into the carport. He walked in front of the car and stopped near to the winchwire from which the house was suspended, it was a little under an inch in diameter.
“This must transfer power to the field,” he muttered. He turned and picked up a wooden-handled hammer from a shelf a few feet behind him. He placed the metal to wire and raked the hammer down it. It made a squeaking sound, but not much else.
“Well-insulated,” he said, dropping the hammer behind him and gripping it with his hand. “Good friction, perhaps I . . .” his voice trailed off as he saw something in the clouds a kilometre away.
 “No . . . no no!” he shouted, as he saw a passenger plane appear. It was going to fly right overhead of them . . . right into the wires. He held onto the wire and swung out to look above them. He could barely make out the ship behind the holographic cloaking dome, but the wires were so still. “Oh, you idiots! MOVE!”
The wires didn’t move and so the Duke glanced around desperately. He saw the car, the gas tank, a bench full of tools, the water heater chained to the wall, a small laundry. He smirked to himself, then his smile dropped and he ran inside.

 “Everyone!” shouted the Duke, as he ran through the kitchen. “Everyone listen!”
Some people turned, but the music was so loud. The Duke pushed past people and walked up to the band. He grabbed the microphone.
 “Partiers and patrons, I need your attention,” he said, taking a few steps away from the angry singer, who was swearing at him. “I’ve just heard news that there is going to be an earthquake, a lot stronger than the tremor before. I need everyone to lie down on the ground!”
 “Aren’t you supposed to stand in the doorway during an earthquake?” said the long-fringed girl.
 “You’re all intoxicated,” growled the Duke. “It’s much easier and safer to lie down. Please, lie down, this will be over shortly! . . . Oh, also, there will be rolling blackouts.”
The Duke dropped the microphone and sprinted towards the front door and Anise followed him. She stood in the doorway as he ran out towards the fusebox.
 “What on Earth is going on?” asked Anise.
 “That is going on,” said the Duke pointing towards the plane.
 “Holy shit . . .” said Anise.
 “It’s alright, I have a plan,” said the Duke, removing the spanner from the fusebox with a loud ZAP! “Ouch! Drat . . .”
He marched back to the door and Anise stood aside then followed closely behind as he sprinted to the garage.
 “What’s the plan?” Anise asked, as he moved to the water heater.
 “Pendular motion,” said the Duke, using a bright red laser on his spanner to sever the water heater from the wall. Then, he rolled the tank onto its side. “Can you give me a hand?”
Anise moved beside him and the two of them rolled the tank towards the square patch of tiles behind the garage.
 “I don’t understand,” said Anise, but the Duke changed the settings on his spanner, stood back and aimed the laser at the bottom of the tank, which - as it was lying on its side - was facing the side of the house.
 “It’s simple, this tank is full of heated water, meaning that if I apply further heat, it will soon reach boiling point, then continue to increase in pressure,” said the Duke as the bottom of the tank began to change colour, then glow red, then yellow. “Since I am creating great weakness in the bottom of the vessel as I heat it, it will eventually burst, and shoot the entire tank off in the opposite direction. Actually, you should probably stand back.”
Anise went to crouch around the other side of the car, but she peaked her head over the trunk.
 “So, how will shooting that off to the side help?” asked Anise.
 “For every action, there is an equivalent and opposing reaction,” said the Duke. “The force of the projection will create an opposing force against the wall of the-”
BANG! The tank exploded and shot off, and the Duke stumbled as the house swung in the opposite direction. Steam filled the garage and Anise couldn’t see, but felt as the house tipped from zero to ten, twenty then thirty degrees, swinging on the wires. There was clattering and crashing as things fell from their place and onto the ground. The Duke gripped tightly to a crack in the tiles as they swung up, then began to swing backwards.
Inside the house, Edison was holding onto people, with one arm gripping the fireplace, and another holding Simon’s shirt. Some people were laughing, others were screaming.
Because of the burst of steam and closed curtains, nobody saw as the plane flew near them. There was a loud rushing sound as they swung the other way, then a loud ripping sound and a twang! as the very tip of the wing clipped some winchwire. The house didn’t even shudder, but the plane dropped slightly before counterbalancing.
Then, the house stopped swinging and the ground sat level.
 “What’s going on?” said Anise. “Did we hit something?”
 “No,” said the Duke, standing up. “The aliens levelled their ship to stop us from swinging.”
He dusted himself off, and turned to see Anise. “Are you alright?”
 “Yeah, I’m fine, just a little dizzy.”
 “That’s probably the affects of the altitude. And the alcohol.”
 “Well, it’s a bad idea to be drunk and high at the same time . . .”
 “Here. you go inside, make sure everyone else is alright,” said the Duke coldly, holding out his spanner. “And put this back, to power the house once more.”
 “What about you?” Anise asked, taking the spanner.
 “I’m going up there,” said the Duke, glancing at the winchwire near the rear-left corner of the house, on the edge of the backyard tiles. “Before those idiots drop us right out of the sky.”
As Anise returned inside the house, the Duke approached the wire, reaching into the pocket of his long, leather coat. He withdrew a pair of what looked like dark brown, fingerless, leather driving gloves with black padding on the palms; then he donned them and flexed his fingers, they fit perfectly. The Duke then jumped, grabbed onto the wire and started climbing, using his feet to steady himself as he pulled himself up with his arms in short lengths, climbing very quickly.

The lights switched back on inside the house and people started getting to their feet.
 “Is it over?” someone asked.
 “I can’t see out there,” said Simon, heading for the window. “It’s like fog . . .”
 “It’s fine,” said Edison, jumping to his feet and grabbing Simon’s hand. “Step away from the window. It might . . . in the aftershock, it might shatter.”
 “Thanks for your concern,” said Simon with a grin.
 “It felt like a rolllll-” fringe girl stood up as she spoke, “-lllller coaster. Loop-de-loop.”
 “You’re just drunk,” said Anise, now standing in the doorway to the entry. “It was a mild rumble, nothing more. Come on, it’s like a funeral in here. What happened to the music?”
 “Oh, yeah yeah . . .” said the singer, heading to the microphone.
Edison left Simon to head over to Anise.
 “What the hell was that?” he asked sternly. “We have to clean up, what happened out there?”
 “A plane was headed for us, so Duke swung us clear,” said Anise. “We just need to keep everyone safe in here until Duke can get to the top of the rope.”
 “The top of the rope? What rope?”
 “Well, the cable-things. We’re hanging from an alien ship by black cables.” said Anise.
 “And what is he planning to do when he gets to the top?” asked Edison.
 “I don’t know,” said Anise. “But he looked really pissed . . .”

Half-way up the rope, The Duke hung, clinging with his feet as he stopped to catch his breath his bald head was covered in sweat. The rope was almost 30 storeys high, and he looked up, seething, at the ship above. Then he glanced down at the roof of the house. The symbols which he couldn’t read before, the alien writing, was finally being deciphered. There was the slightest blurring behind his eye before he could see the words:
Earthlings Have Rights Too
 “What are you people doing . . .?” he snarled. With a yell, he lifted another arm up, and grunted deeply as he moved, heaving every time he pulled himself another few inches higher, keeping his arms close to his chest. In a short minute he was passing through the holographic camouflage, and he lifted himself up the last three metres, where there was an enormous pulley, extending from a bulky arm, and underneath was an inspection gantry, a metal platform with railings that the Duke stepped onto as soon as he was high enough. He fell on all fours, breathing ragged, as he looked at the ship in front of him. With a cough he got to his feet, approached the air lock and pounded a fist against the yellow metal. He was about to yell out, when he saw a lever labelled ‘Emergency Entry’. The Duke pulled the lever and there was a blaring sound as the door shifted inwards and slide to the side. He stepped inside, and the door slid shut behind him. There was a hissing sound as the room’s pressure was levelled, and the Duke noticed that the air was made to be cool, but humid.
The airlock itself was barely larger than a broom closet, and the other door was wire-reinforced glass, revealing a dimly lit interior on the other side, and a red light was flashing around the edges of the door.
 “Open this door!” yelled the Duke, banging against the glass. “I am the Duke of Rathea, and I demand to speak to whomever is in charge!” A skinny alien in a tight, black suit came into view, and took the orange goggles away from its face as it looked through the glass.
Where the goggles had been were big, round yellow eyes  with black rectangles for pupils, like the eyes of a goat, but its skin was mottled and green. The creature pressed a hand to its belt.
 “It’s the politician,” croaked the creature. “He’s aboard.”
 “And I demand to speak to your leader!” yelled the Duke.
 “And it demands-”
 “Bring him here,” replied the radio with a buzz and a click. The alien pulled a lever and the door slid open. The Duke stepped out and marched in the direction from where the alien had appeared. Shortly, he came to the end of the hallway, which opened out and down to an open space, with a ladder at his feet leading into the command centre of the ship. The Duke looked down to see two more aliens standing at panels surrounded by controls.
 “Which one of you is in charge here?!” demanded the Duke.
 “Here,” croaked the shorter alien, stepping forward. “I am Alnag, I planned this.”
 “Then can you please explain to me what in all of existence do you think you’re doing?”
 “This is a protest!” announced Alnag. “A Bluespace protest for these humans you so heartlessly ignore!”
 “Ignore?” asked the Duke, raising an eyebrow. “Are you insane?”
 “This TransPlanet policy is evil!” chimed in the second alien, grunting emphatically. “Your consulate will not get away with this unlawful genocide!”
 “Silence!” barked the Duke. “I have no idea what you’re talking about, I couldn’t even speak your language an hour ago! I have never heard of any consulate or this policy, but I need you to return this stolen building to its foundation immediately. You are endangering the lives of several dozen humans in that, and countless more in those flying machines.”
 “How could you be unaware of the consulate?!” said Alnag, confused. “You are a time lord, you must be involved if you are in this region.”
 “No,” said the Duke. “The time lords aren’t involved in anything, anymore . . .”
There was a loud straining sound, then a twang as one of the cables loosened. The three aliens covered the sides of their heads as the ship vibrated from the shudder.
 “Crane number three is failing!” said the second alien. The alien behind the Duke pushed past him, jumping down into the command centre to help pilot the controls.
 “I don’t understand, it’s designed to lift a warship. Why can’t it lift a house?”
 “It was the near-miss,” said the Duke. He spun and slid down the ladder, then turned to face the aliens once more. “It was much more ‘near’ and much less ‘miss’ than I’d hoped. I heard it collide with the wire, it must have damaged it.”
 “We can maintain the weight distribution, but if the forcefield generator fails, the artificial cradle will collapse. We need to lower the load before the cable snaps.”
 “Is there no way to boost power?” said the Duke. “Can you tell me where you were taking the house? Is there a power source there?”
 “We weren’t taking the house anywhere,” said Alnag.
 “What?”
 “We were just flying up and around, so the TransPlanet fleet can see us. This is a protest.”
 “ . . . a publicity stunt? You ripped a building full of people out of the ground for the sake of a publicity stunt?!”
 “We want to show them that humans deserve to live too.”
 “And so you chose a house full of alcoholics?”
 “We were headed for the human queen’s building,” said Alnag. “But, we took the opportunity when we saw you.”
 “Right. Perhaps, this was the better choice . . .” said the Duke, pushing past the second alien. “What’s your name?”
 “Grennit,” croaked the alien.
 “Alright, Grennit. Now, correct me if I’m wrong,” said the Duke, pointing around the console. “Articulated propulsion control, automated downward counter-balance thrust, pivoting around a reinforced knuckle, with a . . . micro-petrol engine?”
 “Sounds right,” said Grennit, “But, we have a micro-fusion cell . . .”
 “Drat . . . that will make things a little harder,” said the Duke, and he took the controls.
 “What are you doing?”
 “Trust me, I come in handy during a crisis. I’m going to fix this mess, but if someone could balance the cargo, that would be appreciated. Otherwise, hold onto your goggles . . .”

In Simon’s dining room, everyone was sitting around the table, drinking, and picking cards from around a half-full glass of a pink liquid. Fringe girl took a card and read it.
 “Jack, Lords,” she said, and all of the men at the table groaned before taking a drink.
 “You’ve barely had any,” said Simon. “If I get an eight . . . “
Anise heard a soft humming, and looked at her bottle of cider. It was slowly crawling across the table from the vibration. She quickly picked it up and stood.
 “Hey, uh, everyone? Everyone, I think now is . . .”: Anise blinked heavily as she stumbled. “Wow, drunker than I thought. Anyway, I want to toast Simon! For . . . being awesome.”
 “Hear hear,” said someone and everyone else picked up their drink to sip. Anise stood and stared for a moment, trying to think. As people finished their respective toasts, they stared at Anise.
 “Anise, are you alright?”
Anise clicked her fingers, jumping to action.
 “I’m just drunk, is all . . . is it my turn? I think it’s my turn.” Anise sat and picked up a card. It was an ace. “Ah, a ten! I get to make a rule. Well, what about everyone keeps hold of their drink. If it touches the table, you take a sip.”
 “Ahh, clever,” said fringe girl. Anise took a drink and put the card in her pocket.

At an empty lot near Warwick Gardens, a great shadow loomed over the lawn until the hanging building aligned with the rectangular cavity cut into the ground, then lowered until it was a foot above the grass. After a minute of gentle adjustments and tweaks, the entire house lowered down into the hole like a key into a lock. There was a hiss of escaping air, then a thud.
From between the four cables that had suspended the house, one of the aliens descended on a much thinner wire attached to his belt. Using the wire as a kind of bungee, the alien swiftly hopped from one corner of the house to the other, disconnecting and deactivating the forcefield generators, the cables retracting after each was detached. Finally, after collecting all four generators, the alien too was retracted. He sailed quickly through the air, swiftly rising the wire on his belt, before the retracting wire slowed as the alien was drawn up into the ship through a round opening, before a five-bladed leaf shutter constricted closed around it.
 “Good work, Unwick,” said the Duke. “Now onto the other matter. Why were you protesting this ‘TransPlanet’ policy?”
 “It will kill everything on this planet,” said Alnag, as Grennit unbuckled his shipmate from the wire.
 “How?” asked the Duke.
 “They plan on mining your sun,” said Alnag, shaking his head. “It’s small enough to be plundered without gravity being an issue, but it would destabilize this system.
 “It would destabilize the solar reaction,” said the Duke. “I’ve seen other star-miners before, it destroys planetary systems. Do they know this system is occupied?”
 “Yes, we told them that it could kill you all, so they created the ‘TransPlanet’ policy.”
 “Which is?” asked the Duke.
 “They promised that any creatures they destroyed through their mining would be replaced.”
 “Replaced . . . one life exchanged for another?”
 “That’s the policy.”
The Duke shook his head.
 “I can’t allow that to happen . . .” said the Duke, and he turned to climb up a ladder to the side of the drop-deck.
 “What do you plan on doing?” asked Grennit. “We saw this as our last hope to stop them, but we couldn’t even get their attention.”
 “I can,” said the Duke. “Can you contact the consulate using the communications circuit on this ship?”
 “Why would we do that? We’d be contained,” said Alnag.
 “But you will save the people of Earth. You’ll be heroes. I just need to speak to them,” said the Duke, turning to face Alnag. He stepped closer, towering his full height over the small alien. “You recognized my authority. If you understand the power of a time lord, then so will your leaders. I need an open audio broadcast, to send them a message on all subspace frequencies.”
Alnag nodded and Grennit adjusted the controls until there was a buzz from a set of speakers.
 “The Consulate of . . .” the Duke frowned, “where are you from?”
 “Nembria,” said Grennit.
 “Yes, Nembria!” said the Duke. “I am the Duke of Rathea; Field Director of Temporal Logistics with the Timelord Academy; His Brilliance, Consecrated Lightseer of the Bei’sianu Temple; Specialist in the Enigmatic and the Paradoxical, and Secretary of the Seven Worlds of the Conduit . . . and I want to know who is the contemptible tyrant responsible for the attempted genocide of this protected planet!”
There was a moment of silence, before a small alarm on the control panels chimed.
 “We’re being summonsed,” said Grennit. “I’m putting it on the projector.”
The curved wall of the command centre was filled with the light from a projector which showed the life feed from the video call. The video was of a mottled amphibian-looking alien with a dark green, business-suit like outfit. From his eyes, the Duke could see it was the same species as the three men around him.
 “This is Consul Glurn, I represent the Consulate.”
 “Consul, what are you doing in this sector?” asked the Duke.
 “We are conducting a final appraisal before we calibrate our thermal plasma scoop.”
 “Then you will cease and desist,” said the Duke. “This planet, and indeed its sun, is protected under Article Fifty-seven of the Shadow Proclamation. Subsection . . . twenty-eight I believe.”
 “Under whose authority?”
 “Mine,” said the Duke, and he reached into his pocket to take out a maroon, pocketbook with a circular symbol and a stylized emblem that looked like cephalopod stamped in gold on the front. He opened to the front of the book, where there was a sketch of his face on one page, and printed round emblem on the other, this one looking like a historiated number 8 in a circle. He faced it towards the camera on the control console.
“I declare this planet to be a level five on the civilization index, and under my protection. If you do not cease all operations and leave immediately, I will consider it an act of war and have you as well as your entire consulate incinerated. Do I make myself unmistakably clear?”
The video disconnected and the projector stopped.
 “They stopped,” said Grennit. “They’re turning around.”
 “Congratulations, gentlemen. You just saved over seven billion unsuspecting lives,” said the Duke, and he placed the pocketbook back into his jacket. “Now, would you mind returning me to my friends?”
 “Just like that?” asked Alnag.
 “If you wouldn’t mind . . . you did interrupt me in the middle of a party,” said the Duke.

The Duke’s feet touched the ground, and he disconnected the wire from the belt around his waist, heading into the house. As he opened the door, he glanced at the fusebox, saw his laser spanner and walked over. Yanking it out of the machine, the lights of the house flickered, but remained on.
 “That’s the best landing I’ve executed in eighty years . . .” the Duke murmured to himself, “Even lined the wires up.”
As he entered the living room, Anise jumped up and ran to the Duke, but stumbled on the way.
 “D’you . . . uke. Duke,” she said, grabbing his arm to steady herself. “I was so worried. Are you okay? Are we okay? Is the this . . . okay?”
 “Yes, we’re safely on the ground. It turns out some people thought I was more important than I was; and I resolved the whole mess by proving I was more important than that.”
 “Okay . . . so, the house is landed?”
 “Yes, the house is landed,” said the Duke. Anise smiled and grabbed him in a hug. “Did you have a good time?”
 “Yes. Scary, weird, but good,” she said, then she leant up and whispered. “I drank too much though.”
 “Yes, I can see that. Edison?” said the Duke, and the Inspector looked up from the couch, where he’d been sitting and got to his feet. “Are ready to leave?”
 “Yeah, if you want,” he said, adjusting his shirt. The Duke moved for the door and Edison followed, but Simon stood up from the table.
 “Wait,” said Simon, as he walked over to Edison. His face was a bit reddened from drinking, but he spoke calmly and seriously. “Do you . . . have to go?”
 “Yeah, he’s kind of my ride,” said Edison.
 “Alright, well, it was interesting meeting you, Edison,” said Simon.
 “Likewise,” said Edison, with a curt nod. He turned towards the door.
 “Are you really going, just like that?” said Simon. Edison stopped.
 “He is my ride.”
 “That’s not what I meant,” said Simon, leaning in closer to his face. “What do I have to do to persuade you to give me your number?”
 “Oh, uh . . .”
 “Sorry, I have had a bit to drink. Am I too forward?”
 “No, I’m just not used to this kind of thing.”
 “Cute guy like you? You should be.”
Edison laughed nervously.
 “Uh . . . do you have a pen?”

Inside the timeship, the Duke was standing impatiently by the console as Edison entered.
 “If you want to stay, you can stay,” said the Duke. “I never force you to follow me, Inspector.”
 “No, I was just . . . making friends,” said Edison. “Where are we headed?”
 “The Bermuda Triangle. Duke’s found where the necrodria is,” said Anise.
 “Naquadah,” corrected the Duke. “Are you ready for our next trip?”
 “Sure,” said Edison.
 “Good,” said the Duke, pressing a button to close both the outer and Lift Lobby doors. Then he began entering the coordinates on the console “Because I have had more than enough partying for one day.”
The Duke pulled the ignition lever on the console, and the Lift vworped away into the vortex.

Thursday 14 April 2016

Is Humanity Violent?

There is a claim about humanity which bothers me. You can claim that we're herbivorous (we're not), you can claim that we're psychic (we're not) and you can claim that we're descended from Adam and Eve (we're definitely not). But something that always bothers me is when I hear it said that people are 'violent'. Ooh, we're violent, we're such a violent people. Violence is in our nature, it's hard to stop violence because these vile people are violent, we can't help it!
Ugh . . . no. I don't believe that. The Word of the Day is: ‘VIOLENCE’
Violence /'vuyələns/ n. 1. Rough force: The violence of the wind. 2. Rough force that is used to injure or harm: To die by violence. 3. Any wrongful use of force or power, as against rights, laws, etc. 4. Intensity of feeling, language, etc.; fury.
Yes, we can be violent, and we can use violence, but I don't actually believe that we're naturally violent. In fact, unlike most animals, we struggle to be violent even when we have to be.
I know this . . . because of soldiers.

Before a soldier goes to war, he goes through training. Have you seen people being trained to go to war? It's disgusting. People yell, scream, demand, command and insult these people very loudly to get them to do stuff. Have you ever stopped to consider why? Is it just a male power fantasy? Is it bullying? No, it's because they're desensitizing these people to aggression and violence.

Now, I know a little bit about this, because of my grandfather. He was recruited to fight in World War II, he was brought in for some of the training, but he didn't pass. He said that part of it was because, in training, one of the things they had to do was to yell at a (non-human) target, screaming, and attack it. My grandfather was told to do this, and couldn't. Every time he was to do this, in his mind all he saw was a person and it was a person he was being asked to kill.
The purpose of the screaming wasn't to scare the enemy, if you're about to kill someone it's not a good idea to let them know you're coming. Rather, the reason they're told to scream is because it builds up their aggression and adrenaline and they can then ignore the act they're committing. And because a senior officer is yelling at them "Do it! Scream, yell and do it now, soldier!" it become easier to take the blame off their shoulders. They're not killing someone, they're following the orders of a commanding officer, they're driving a knife into someone's flesh for their country, not murdering . . . but when they get back home, the adrenaline wears off.

As far as I'm concerned, PTSD proves that we are not naturally violent people. People coming back from war are broken, because they look at what they did and they are traumatized. Now, admittedly, sometimes this is because they come back and they are disgusted at the way they enjoyed the violence. War can be addictive in that sense, but that doesn't mean that you're not traumatized, and it's not true of everyone. PTSD is a complicated mental illness and it's not just suffered by soldiers . . .

But, I’m not smarter than everyone else - as much as I may occasionally believe that - so, why does everyone believe that we’re so violent? Do I live in a ‘violent’ and ‘abusive’ world? I’ve never had to be traumatized or visualize violence first hand, I mean, I’ve been in three fights in my life, but two of those were just with friends, but I was upset by all three of them. So, for the most part, I - and the majority of people - perceive the extremities of violence from news, national and global. Lurid descriptions of rape, murder and other crimes spread a wave of fear among the population and now and then a story or two makes one aware of the inestimable degrees of violence that can be perpetuated.
This information begets action, and this action begets thought . . . for instance, if a girl live in a city rumored to be unsafe for women, she’d naturally avoid or limit night-life and take extra precautions while travelling etcetera. Such a girl would do so not so much because they’ve had it bad themselves but in the light of a ‘perceived violence’ and in the fear of the ‘inhumane’.
It’s a measure of violence that we don’t have a yardstick for - the fear of crime is so often higher than the threat of crime - so it can escalate the perceived violence.
Personally, i don’t think anything traumatic is truly  ever forgotten. A quantifiable loss of assets, wounds caused, loss of person/s can be estimated , but the sensation of pain and emotional fallout cannot be measured. And the distress thereafter, treatment, recovery,  is a story of its own.
So, I don’t consider it a flaw of humanity, you can’t blame a cockroach for fear of a boot, but it doesn’t change the fact that these violences we see are the exception, not the rule.

Then, what of the violence that does occur? Why does violent crime exist - and why on such a global scale - if we are not violent by nature?
I guess most (regular) criminals may have a history of committing crimes as a juvenile which in turn might indicate to an abusive childhood , personal history.
There are also triggers to violence . . . intolerance, disenfranchisement, loss of control.
But more than anything, the key factor of all violence in humanity is dysfunction.
We have a chemical imbalance, something in our life is going wrong, something we care about is in danger, something we don’t understand is confronting us; all predications of violence come from some fault, fracture or flaw.

The only time violence is used by a perfectly well-functioning human person is when they are defending something they care about; and even then, they are often defending themselves from a violent person, who is perpetrating violence due to some other cause which is unjustified.

Also, people can be embittered by the way that we consume violence.In the form of contact sports, dangerous stunt shows & action movies. They consider this violence within the media as a symptom of a greater violence implicit within human people. But, I would argue that this is untrue; to begin with, there’s no correlation between violent media and a desire for violence; it can never cause people to want to be violent. But I also believe that the reason we seek out violence is because we are unviolent.
I am of the opinion that curiosity is what directs our consumption of media, and with violence we are curious of it and desire to see it, because we lack experience in violence. It is a spectacle, to which we are entirely unprepared, and if we experienced it daily we would not find that enjoyment of it.

I am not saying that humans cannot be violent, we all have the capacity to be violent. Similarly, a car has the capacity to be a battering ram, to smash into something at high speed. However, I argue that this is not an implicit function of humanity. For, just as the car leaves a crash in pieces and needs to be fixed, when a human is violent they too are broken. And I don’t mean physically, I believe that when we are violent, we lose something - perhaps empathy, self-esteem, a sense of security, temperament or perhaps even our humanity - and the more violence we enact, the harder it is for us to be fixed.

Although, I may be wrong. I know that some may see this as some kind of “safe privilege”, since people who use violence are often at risk in their lives, and my claims that it's unnecessary are from my perspective; and I admit, the terms “fixed” and “broken” are defined by function, and I am biased in my presumption that the human function is unviolent. But, isn’t it?
And isn’t that what humanity means? Is it not a metaphor for the most basic kinds of freedom that aren’t meant to be transgressed, or emotions that can be felt by one and all. Otherwise, ‘humanity’ too may differ across countries, continents, the laws and rules that protect man from man. But, I’ll leave that debate for someone who studied Civics . . .
This is the answer I have to the titular question, if you have a different answer, then drop it in the comments below.

I’m the Absurd Word Nerd, and until next time thanks goodness that a ‘violent humanity’ is still the stuff of news and movies, for me at least.

Thursday 31 March 2016

Stumbling Block

Forgive me, I'm a little bit out of sorts at the moment. To begin with, I'm getting over a bout of gastroenteritis, and after Easter I got a burn in my mouth which gives me a persistent headache which flares up whenever I eat or drink, and is only ever relieved with painkillers. Also, I've recently begin volunteering at a café as part of my jobsearch efforts, but at first there was a huge administrative error with the Job Service Provider I was assigned to. On my first day of work, they labelled me as absent despite me working the full time because of the truancy of another person whose name is similar to mine. So, my service provider attempted to put me back, but they assigned me to the same address with a different job description; it was only through discussion with both my service provider and the centre that I was finally given placement where I truly wanted to be - working in that cute, little café. So you see, I'm not quite on-balance yet, I've yet to maintain lock-step with either my mind or my timetable. The Word of the Day is: 'RHYTHM'
Rhythm /'rithəm/ n. 1. Movement in a (regular) pattern of time, especially with beat, accent, etc. 2. a. A pattern of regular or irregular pulses caused in music or speech by the occurrence of strong and weak beats. b. A particular form of this: duple rhythm; triple rhythm. 3. Art The proper relation of parts to each other and to an artistic whole. 4. A pattern of regularity in hanging elements or conditions: The rhythm of the seasons.

See, I'm just trying to find my rhythm, I want to get into a cycle whereby I can sleep, wake, work, write, eat, socialize & repeat, all without losing momentum. But, I'm not there yet. Perhaps it's just a cruel irony that this is happening in March, a month whose name is a homonym for walking in a regular, measured and deliberate manner . . .
But, part of the reason that it's so hard for me to find that balance is because my work and writing schedule has taken a major shake-up. For those of you that have been paying close attention -especially if you're on a desktop, as the mobile view often hides formatting on the side- you will have noticed that I have altered the "Follow Me" section of this blog. If my settings are just right . . .

you'll see what I'm talking about right over here →

If not, maybe you're on a mobile device, or you've adjusted the size of your window or you have different browser settings. But the point is, I have a couple of fun links around this blog. There's links straight to Duke Forever, an archive, a translator and some links to the right in my "Follow Me" section lead to my Tumblr and Google+ pages. But recently, I also added one for YouTube.
If it's not clear already, I'm considering making some stuff for YouTube. I have a lot of ideas, and I've been searching around for ways to accomplish this with the least hassle and the greatest quality. But, as with my work schedule, I'm still a little unsteady on my feet. See, I still want to keep this blog up and running, so I've been doing some planning to keep all my plates spinning and make sure that nothing - least of all this blog - smashes to pieces on the ground.

See, my plan is to alter my online presence so as to have a three-headed approach to my content. The first will be my primary YouTube channel, KelniusTV, on that channel I plan on creating serialized fiction. I will give no further details than that, and I can't say that any of it is currently up and running, but I have some projects already completed.
The second will be my secondary channel, Critical Eye View, which I have set up for the purposes of critique, review and analysis on a wide array of topics, particularly stories, culture and religion. This one is currently undergoing the greatest amount of pre-production, as the format I am seeking to employ will be the easiest to create content for.
Finally, this very blog, Absurd Word Nerd. I don't plan on changing this blog very much, except that I may have to maintain a "piecemeal" approach to blogging, I don't think I'll return to my "1 post every 3 days" structure, but hopefully I'll be at more than one a month in the coming weeks. However one thing I see myself doing different is adding a feature to this blog of "behind the scenes". I already do that to a degree, but even in the pre-production side of things, I've seen and discovered things in the filming, production and development of these channels which I wouldn't mind talking about in greater detail. Oh, and I may even be more inclined to share a video or two on this blog; videos which are not freely available on my YouTube channels.

So, that's what I'm up to. Of course, I'm still a little dizzy from all this flip-flopping and changing schedule, and trying to get used to the new state of affairs, so (at time of writing, at least) none of this preparation I've been doing has resulted in any video content, so don't get ahead of yourself or ahead of me. But, I'm working on it.

Oh, and one other thing . . . Duke Forever. I've come to realize that this project of mine was overly ambitious. See, to me, Duke provided an opportunity to flourish my writing arts in a new genre, and to explore writing opportunity without pressure, whilst also forcing myself to try harder.
Yet, with all these new projects, Duke Forever could not survive . . . not in its original plans, anyway. However, that is not to declare the story over - oh no, I still plan on continuing Duke Forever! But, I've changed around my planning schedule, effectively cutting my work in half. I've shortened the length of each planned volume, and I've adjusted story-archs and plotlines, re-arranging chapters and folding them into future volumes to better allow for succinct writing.
Don't get me wrong, I am not short-changing my readers, a lot of the planning I had done for Duke Forever was preliminary and overly ambitious, and I am confident that my current outline for the story will not only be easier to write, but also easier to read.

In conclusion, things are shaking up around here, and I apologize if it seems like I am just over-promising and under-delivering. But, before I go, let me just say that I made myself a promise this year. I didn't like that there were such large gaps in my archive last year and while I knew that I would be posting few and far between, as I wrote about, I promised that I would write at least once every month. Now, while today is the last day of the month, I still managed to keep that promise to myself.
And I consider that a promise to you. Yes, it may be last minute; yes, I may push myself harder than I should and yes, maybe I could have planned it all better.

But, I'm the Absurd Word Nerd, and I will still do what I have to do to get it done . . .

Monday 29 February 2016

Underprivilege

Gay people are boring.

I want you to look at that sentence and think about what it means to you, because, the way you're feeling now is the way that I probably once felt about it myself. Yes, I am an ally; no, I am not suddenly adjusting my moral compass & no, that is not meant as any kind of insult.
But, the fact that I feel like I need to add such disclaimers is kind of the crux of my point, which is that homosexuality is actually not very interesting.
The Word of the Day is: 'DEUTERAGONIST'
Deuteragonist /dyūtə'ragənəst/ n. Ancient Greece the actor next in importance to the protagonist.
So, what the hell am I talking about? Well, see, this all started because I recently have been really getting into stand-up by Patton Oswalt, and I agree with all of his points, if not in practice then at least in principle. But, there was one comedy piece he did which, when he first said it, it kind of offended me as an ally of LGBT rights [Author's Note: This is the very reason why offense is meaningless; I was offended by my inference, not by the implication, and so if I had chosen to call Patton Oswalt an offensive homophobe or close-minded, not only would I be wrong, but I would have closed off my own mind to the epiphany I had on this very topic. I have said more about offense in prior posts, feel free to read them, but only after finishing reading this one.]
But, after thinking about it, I once again found myself agreeing with Mr Oswalt. Now, I'll stop holding you in suspense, the bit I'm talking about is within his Finest Hour stand-up comedy DVD, wherein he says he wants to be the first ever dumb gay best friend in movie history. Because whenever a gay person is in media, they are all characterized as the perfect sidekick, like an out-of-the-closet gandalf that clicks his fingers and can calm your worries.
Oh, and did I mention that they're men? I've never seen the gay best friend as a woman, because all lesbians are either manly or sex maniacs, right?

But anyway, in Oswalt's own words:
"I have a lot of gay friends, and a lot of my gay friends are idiots, just like my straight friends. But in every movie, all gay characters are these magical, intelligent quip machines. Which, if you're gay, has got to feel really dehumanizing after a while."

Now, I agree that gay people don't get enough fair representation in media, but when I first heard this bit, I thought "Well, yeah, it's bad that they're being reduced to this stock character rather than fleshed out, but wouldn't it just be better to have more gay protagonists? Or, just more interesting characters? Why do they have to be dumb?"
And that's not a position that's diminished per se, that's why I chose the word of the day, deuteragonist, it's like we're okay with gay people being around because they are interesting, but we don't want them in the limelight. So long as they don't take centre stage, we're happy with them being in the play.

But, to answer that question of "why do they have to be dumb?", let's move forward a month. Because, for Christmas my family got a new TV and a few fancy devices to attach to it, and so my brother set us up with Netflix. I have a couple of things to say in favour of some of the shows on there, especially Marvel superhero series, but today I am talking about gay characters so I want to mention Felix, from Orphan Black.
Now, should you watch that show? Yes, absolutely, go watch it now! Seriously, it's online, you can just open a new tab; but, after you're done binge-watching your fair share of episodes, come back here to finish reading.
 . . . are you done? Well, whether or not you've watched the show, don't worry, this is spoiler-free, this is about the conception of his character. See, Felix is one of the main characters, and he is clearly and openly gay and he does follow a lot of the "gay best friend" tropes. However, he is actually the main character's brother and he has a lot of flaws; he's a party boy, does a lot of drugs and he's a bit of a slut, and I don't dislike Felix, he is an adorable and awesome character. While I think that Felix is a good evolution of the trope adding in flaws and characterization and sex-positivity and an emotional centre, I have to say that it made me re-analyze my view of what Patton Oswalt said.

See, there are no stupid gay friends in media. At least, not in the limelight, not in the mainstream. Felix is awesome, but he's kind of too awesome, and he still that have that pixie-ish I-will-lead-you-to-happiness gay-friend aspect to him which, despite all of his greater achievements, makes me question the state of homosexuality in film and television. And, before posting this, my Beloved pointed out a series of gay characters with flaws . . . but most of them were still idealized, and otherwise they weren't all that iconic or mainstream, I had not heard of most of them.

Also, I recently looked this up, and I'm not the only person to have noticed this issue. Not that long ago an old, famous gay artist came out to say that "Marriage and Kids is boring, it's sad that we're losing that Bohemian lifestyle", and in response a lot of gay people responded, including Brian Moylan, the writer of this article, "In Defense of Being Gay and Boring" which covers this from a much more personal perspective, as the writer is himself proudly "gay and boring"; to me, this is the goal, after all . . . to reach an equality so prevalent that it's not unusual, interesting or even noteworthy that you are gay, you are judged for your personhood, not your sexuality.

This became abundantly clear to me when I thought about my brother. See, I don't talk about it, but my brother is gay. The reason I don't talk about it isn't because I am embarrassed or worried about what people with think or any of that . . . it's because it's really boring. My brother is my brother, and he's always been my brother. When he came out as gay, we weren't surprised, we were just like "Oh yeah, I thought so," and that was that.
And he was never some bastion of fantastic advice, in fact I was always antagonistic towards my brother. Not because I'm bothered by his sexuality, but because he's an idiot. He is incredibly headstrong and arrogant, he's capitalist to a fault and he is judgemental, and he voted for Tony Abbott. The fact that he loves men just doesn't really matter at all, if anything that's the least annoying thing about him (he's my sibling after all) it doesn't change the fact that he's just my dumb, older brother; no different from how my dumb, oldest brother is straight, it really doesn't matter.
On a nicer note, I have another friend whose name I won't mention because I didn't ask his permission to mention him in this post. But, I met him at my Hospo class, and he is hilarious, he has some interesting philosophical views, he's a bit of a nerd, he's a devout atheist, very liberally-minded . . . the fact that he's gay is actually the least interesting thing about him. I didn't even notice until he told me, although that's because I tend to forget to switch on my gaydar, and in retrospect there were a lot of clues. But, when I think of my friends, I don't separate "gay friends" and "straight friends", I probably have a few gay friends, but they don't come to mind because I just have all of my friends, I don't separate them out; it's like asking me about their eye-colour, I could maybe remember a few, but I'd have to think about it, just like I don't separate gay/straight family. They are all just my family and friends.

Now, as much as I love my stupid brother, and as much as I think my friend is hilarious and fun, . . . neither of them live up to Felix. They're not adorably gay, they're not catty, they're not like a "sister", they're not a shoulder to cry on . . . they're just two more people that I am associated with.
That's not to say that I prefer Felix over them, I'm just saying he's a character with more agency and beneficial characteristics within the scenario of the show, with all the capabilities fiction provides. But Felix is not realistic, and his greatest flaw is the absence of flaws.

Am I here to shun all manic, pixie helper "gay best friend" characters in fiction?
Well, no. There are some worrisome aspects, in particular the "helper" role that it implies. I mean, gay people aren't all "sidekicks".
But I can't dismiss all gay friends in fiction, see I entirely understand it. It's a mixture of two things, firstly when writers were finally told that there was a gay demographic, they wanted to promote them as good people, they wanted to portray them in a positive light. And secondly, it is without a doubt gay wish-fulfilment fantasy, and I would never deprive any gay little boys of a role model like Felix.
But, this is 2016 now, we have our role models; and while we shouldn't abandon that trope . . . maybe it is time for the stupid, gay friend. Because as I said, gay people are boring. I don't look at gay people and thing "Oh, how whimsical".
Just as important as it is that we stop demonizing homosexuality, now that we're making the slow march towards equality, we need to also stop holding them up on a pedestal, and instead stand with them side-by-side, as fellow protagonists.

Of course, we may not be there yet . . . if you hear me say "gay people are boring" and you feel offended, that is a remnant of the aggression that comes from militantly defending your position from bigotry. And if you are still fighting that fight, that means that maybe we do need a few more idealistic gay characters. But, if you, like me, have come to realize that gay people are actually just another spice in the grand recipe of society pie that, while satisfying, is neither more or less tasty than any other element, maybe we really do need a gay character who isn't just there to play the helpful second fiddle to the main character . . . and who doesn't know the name of "the three guys with the muskets".

I'm the Absurd Word Nerd, and until next time, I'm going to watch some more of Patton Oswalt to see what other revelations I may find within.

Sunday 14 February 2016

Material Romance

Valentine's Day approaches, and I find myself looking forward to it. At different points, I find myself being cynical and bitter about the commercialism that comes with Valentine's Day - and in fact, most holidays - and the entire notion of a day dedicated to swapping material things as a representation of romance, to me it takes a lot of the heart out of the holiday.
Now, I am not here to shit on anyone's traditions out of spite. If you like giving expensive gifts, or going to that fancy restaurant or eating those dreadful chalky candy hearts with the sweet puns punched into them, then go for it. Because, to me, this day is about feeling good, and feeling that togetherness, and if you enjoy the schmaltzy, saccharine, pre-packaged Valentine's Day traditions, then that means you're doing Valentine's Day right. However, there are people out there that find Valentine's Day stressful, and I honestly don't understand why.
The Word of the Day is: 'TRINKET'
Trinket /'tringkət/ n. Any small, ornamental article, such as a piece of jewellery, usually of little value.
To begin with, there are quite a few of us that do not have a significant other. Some by choice, some by chance & some by circumstance. For those people, I do understand it, even I once knew February 14th as "Singles Awareness Day".
But, to you, I say don't lose hope, there are others out there who seek to help. My Beloved was telling me that just the other day, she walked by an Anti-Valentine's kiosk in her university. They provided deliberately non-themed cupcakes and sweets for people who don't want to be bombarded by pink and heart-shaped pastry. Apparently it also offered discounts for the heartbroken, and the opportunity to throw pies at people's faces (but don't ask me how either of those work, neither I nor my Beloved quite understood how those would play out).
But, there is a growing number of people that are celebrating Anti-Valentine's Day during this sugary season. Now, I would hesitate to promote this as a good idea because I personally think the rise of the "Happily Single" person is one of the greater delusions of the 2010s, but I do think it's sweet that we cater for all people on Valentine's Day, even those without a significant other, in the interests of spreading the love.

But, within the realm of coupledom, there are also those who find it difficult to find a present for their boyfriend or girlfriend, for various reasons, and I entirely understand that. For me, I understand there to be three primary gift-giving Holidays in regards to your partner: Christmas, their Birthday and Valentine's Day.
And depending on their date of birth, this can cluster all of your gift-bearing into a small couple of months. Not to mention, as Valentine's Day is the "love day" it makes sense that whatever our gift may be it should in some way represent how we feel about them, and a box of tampons won't exactly cut it (unless they are, for some reason, related to the mythology of your relationship; I'm not here to judge).
So, people do worry themselves silly trying to find a gift, but . . . why? See, to me, I don't want my partner to stress, and she doesn't want me to stress; so, when we celebrate Valentine's, we actually talk about what we would want from the other.
I think of it this way, why would you celebrate your love for your girlfriend/boyfriend by doing something on your own? Even gift-giving, I mean, there is nothing about our relationship which I really do on my own, so why would I celebrate our love in secret? Why would I keep her gift hidden from her?
Now now, don't get me wrong, that is what works for us but my point is something will work for you two as well. See, if you and your love like surprises then yes surprise one another! If you have no money worries, by all means dig deep in the wallet and buy them a car or a theme park or a horse or a round-the-world trip.
Your love is not quantified by the price tag of your Valentine's gift, at least it shouldn't be, and if you are stressed about buying something either because you're low on funds or you're panicking about what to get them, then what you're really saying about your relationship is "I find this stressful and I don't want to do it, but I do it because I am expected to".
And hey, I understand . . . if your relationship is reaching a bitter end, I don't want to twist the dagger any deeper, perhaps this isn't the right blog post for you. But, if you are trying to make your relationship work, but you find Valentine's Day to be difficult in any way, shape or form . . . tell your partner.

See, even in a happy relationship, some people have the tendency to envisage Valentine's Day as a microcosm of their relationship, and that the weight of their entire partnership is weighing on their shoulders under the expectation that they will achieve the perfect gift, through sheer force of will, memory, necessity and tradition. But, to me, Valentine's Day is not meant to be about trinkets for their own sake.
See, for this Valentine's Day, I gave my Beloved some socks. Now, I put in the effort, I searched a good four hours non-stop in the search for the perfect pair of socks. Why? Because she wanted a pair of socks, and I wanted to give her a pair of socks, and I wanted to make sure that the socks I got for her would make her smile. This isn't because I had to, it's because I wanted to. Because I was happy knowing that she would be happy with the present she gave me.
Now, as to what my Beloved is getting me? I don't know, because I prefer surprises. I asked her specifically "Do you want me to tell you what I want?", because I knew she was busy, but she told me she knew exactly what she wanted to get me.
We are both happy with what we're giving and recieving. And even if I get nothing more than a penny, I will still smile and laugh and thank her immensely, because the very fact that she sent it to me makes me happy.

That's what Valentine's Day is supposed to be. The mutual exchange of gifts to express love. And if you and your partner both think that Valentine's Day is stupid, and you'd rather just go to work or live the day like any other day, then you're actually celebrating the day the way it's meant to be celebrated - you are expressing your love for your partner in a way that is honest and heartfelt, even if that expression is just "fuck Valentine's Day".

I'm the Absurd Word Nerd, and I hope you all have a happy Valentine's Day or Anti-Valentine's Day or Singles Awareness Day or Lupercalia or Ewok Festival of Love, depending on whatever suits your fancy.
Until next time, I'll be spending time with my Beloved, and looking for a way to write more blog posts more often.

Monday 11 January 2016

Healing Diary: With Thanks to My Psychologist


Hello, everyone, and welcome to the new year.

I haven't written here for a while, it feels weird. Like learning to ride a bike again, it's a little unsteady, but I'm remembering those innate skills.
Today, I want to just write, get it out, because there are things that I want to say, but I am still working it all out in my head. I am not alright, I'm not at my best. I think I am becoming more reclusive. In the summer, it is too hot to go outside, so I spend a lot of time inside, and I stay up late meaning I am most "awake" when it's late, and when I wake up, I feel anxious. And not a fun, excited anxious, or even a worried "oh dear" anxious. It's that brain-strangling, vicious cycle of self-critical thoughts . . . the Mind Trap I described. Thankfully, I have not had a panic attack, but I have become so close that the mere fear of actually having another panic attack is the only things that reminds me that I have ways of avoiding a panic attack.

It's times like this when I see that I have come quite far. I have suffered 3 panic attacks in my lifetime. But, I am determined to stop it there. Three, and only three; and the best part is that I think I can.

And a lot of that is thanks to the help of my psychologist, Dr Mona.

I won't reveal her full name, or specifically what was said in sessions. Not because I am embarrassed, but because there are some issues of privacy.
See, psychology is private. I don't really mind talking about it, because I am choosing to share what I'm going through experiences, but it is private specifically for the sake of providing a safe environment for those who need it. Unless you are at risk to yourself or others, then what you say stays in that room.
Don't get me wrong, there is some information shared between doctor and psychologist, but never without your knowledge. At the end of any session, if Dr Mona wanted to share something with my GP, she made it very clear what she wanted to share and made sure I was okay with that.

So, what is this? Am I just here advertising? Well, I guess so. If you get her as a psychologist, in my opinion she's a good one . . . although, there's more. I think it's more something that I noticed in these sessions which I feel the need to share.

See, as a recovering Chronically Anxious/Depressed person, I know what it's like to be falling down and to get back up, so I try to help people in a way that is open and understanding. I've spoken to people in person and online about what they can do to manage their mental illnesses, and something I've seen a lot is a reticence to go to a doctor.
There seems to be two things people dislike the most, namely medicine and psychology, which I think is kind of funny since those two are the most common methods of dealing with mental illness. But, let's look at these a little differently, shall we?

Firstly, these are not two issues, they are one: Fear that You will Change (for the worse).

And all I can say to that is . . . no. Medicine, even anti-depressants, are not magical. They are not designed to change your thoughts, just your emotions. If you, for example, are depressed because you're lonely, if you take anti-depressants, you won't stop feeling lonely, you'll just stop despairing about it. It doesn't change who you are, just how you feel. Or, if you are agoraphobic and that causes you anxiety, if you are on anti-anxiety medication, you won't suddenly be able to leap out into the street, you'll still be agoraphobic, you just won't be freaking out about it.

Alongside that, while it seems weird, psychology is exactly the same. Dr Mona didn't tell me anything I didn't already know, she didn't force me to change my mind on any ideas. Psychology isn't any kind of propaganda or "education" into the "proper" way of thinking. She did teach me about anxiety, what it is and how it works as well as ways to manage it, but you are never told that what you're doing or thinking is wrong.

You may now be asking "If it doesn't change me, then why bother?"
Well, purely and simply, because anxiety and depression are not you. You are not defined by your mental illnesses, they are - if anything - an addendum to you.
It's an imperfect analogy, but I compare it to a broken leg. If you broke your leg, went to a doctor, they would put a caste/splint on it and do what they can to re-set your leg.
When they take the caste off, are you a different person? No, you don't even have a different leg, the bones just work properly again. Same with your mental illnesses, if you take medication and manage to get to a stable mentality, are you different? No, you're just not suffering from mental illness anymore.

Using myself as an example, I am still myself, I am still quite anxious and I still make a lot of the same mistakes. As I said in the opening paragraph, I have come close to having panic attacks this year. But, do you know why?
Well, I do. I do because I saw a psychologist, and I now recognize that I am not maintaining my mental health. I know that I am not getting enough exercise, I am not structuring my day and I am allowing my anxieties to take control. Most specifically, I am not finding the time to slow my brain down after doing something intellectually busy.
In my instance, I use my brain to write stories, I find connections, I find patterns, I structure stories and I organize my thoughts into these tightly-bound constructions of reflection, perception, understanding, intrigue & fantasy. So, when I stop writing stories, but I am still thinking like a writer, the world is not as tightly structured as a novel, so I become self-reflective and introspective. And when I do that, I look around my mind until I find a thought that doesn't fit into a structure or pattern, something which I don't understand and then I get frustrated because something about my mind is wrong which I can't explain or understand.

This is just me, it can be similar to the way others think but don't be surprised if you are different. This is just using me as an example, but the point is that I understand all of this because of the helping hand of my psychologist. I talked to her about many things, up to and including my blog and writing. By understanding me, and the way my mind-machine works, Dr Mona found ways of fixing it. Just like you put water in a car's radiator BEFORE it overheats, there are also ways of countering anxiety before you have a panic attack. For me, it come from structure and activity, separating those moments of intellectual stimulation from moments of personal introspection, as well as meditation, medication and breathing exercises.

So no, I'm not perfect, but the reason why I am able to function so well these days is because I got help. Even if these things seem like common sense, a psychologist is trained to talk to people who are mentally ill in a way that we find most receptive, and has the knowledge of how to help us be ourselves, who we are meant to be without mental illness causing disorder in our lives.

So, in conclusion, thank you Doctor Mona. And, I hope you don't take it personally, but I hope I never have to see you again.
I'm the Absurd Word Nerd, and just by writing this, I feel a little better. I don't think this is the end of the Healing Diary, but it is definitely further from the beginning.

Thursday 19 November 2015

The Few, the Far and the In Between

In a couple of ways, I miss the very first few days of this blog. It was a wild, frontier-time when I was writing for writing's sake; when I was a mere amateur, not ever published, so my only writing pressures were my own; when I suffered from just one mental illness; when I somehow managed to write once every three days & - although I do not regret having work to look forward to - when I had less "projects" going on, so that I could more readily focus on this blog and my readership.

I honestly don't know how I managed three blog posts a day. I think I cared a little less, or maybe nowadays I care a little too much. One of the reasons I'm writing this is because, despite not feeling confident enough to write an entire blog post about some of the ideas I have, I do want to keep writing this. I love having a blog, my little foot in the door between me and the great world at large. I have an awful lot of pride in this blog, such that even though I don't like change, several times I found myself changing this blog to better suit the style that I wished it to evoke. And I am in fact honoured that people come here to read it, and occasionally leave comments.

This is entirely my own, and I do hope - one day - to become a published author, and on that day I still hope to have this blog, and update it. Even if someone insists that I have a "proper website", I still want to have this one handy. It is entirely mine, entirely self-motivated and entirely for fun. I like the atmosphere it has, and wouldn't trade that for anything.

So, please, do not take it the wrong way when I say that I am too busy to update. But, the fact of the matter is that I consider this blog part of my "writing work", and lately I have been working on some other writing projects.
There is one collaborative writing project that I was accepted into almost a month ago, called ODIN. I've been working on a serialized story for the project in the time I would usually spend working on personal writing projects and/or blogging. It's a lot of fun, lots of folks are taking part and I'm enjoying the challenge, but it means this blog has fallen to the wayside. I'm working to write more blog posts, but you definitely can't expect them as frequently as I once wrote them.

Although, on that note, ODIN is looking for more writers. There's a bit of a screening process, but if you are a writer and are keen to take on a significant writing challenge (although enjoyable and rather fast and loose, this will be relatively labour intensive), and if you like science fiction and adventure let me know that you're interested, and provide me with a link to an example of some of your writing. If I'm impressed, I will bring you to the attention of the Head Writer.

There are some other ideas I've been toying with lately as well. As you can tell, I did my Halloween Countdown recently (it was actually the last thing I did on this blog, oh my how time flies), but that also means it was my birthday.
The present I got for my birthday (alongside some lovely chocolates) was, in fact, a mobile phone. For the last 8 years, I have had one phone, it was a great phone. In fact it still is a great phone, a Nokia X1-01 and I would still be using it today, except . . . Vodafone happened. My provider decided that, because I hadn't made a call in 6 months (I had no disposable income and was looking for work, so I was receiving calls but could not afford to make them from my mobile phone), they put my number in something called "quarantine", as the phone number would eventually transfer from my SIM to be recycled into the network.
Which is a fancy way of saying: "Well, you're not giving us money, so fuck you we're taking your phone number away."
And since I needed a new SIM card, and they don't sell 2G cards anymore, I was forced to upgrade my phone.

So, I got a new phone. This one another Nokia, since I love that brand, and since I was upgrading I figured I'd try for a smartphone so I got a Nokia Lumia 532. In my eternal quest to stay just behind the cutting edge of technology, I bought a phone that they don't make anymore, the "Lumia" series goes all the way up to the 900s now which meant my phone was very cheap despite coming with a pre-packed SIM card. Also, because Vodafone was such a dick, I switched to Telstra.
Anyway, my point is, I have a phone, a Microsoft Phone (because I do not like iPhones) which means it came prepackaged with Microsoft Word.

And all of that was a long way of me saying that I've been looking into cell phone novels lately. Or, since I am not an American , I would prefer to call them phone novels. They are meant to be written on a phone, so I thought it would be interesting to see if I could actually accomplish that.
Don't get all excited, I haven't planned anything, I just think it's a cool idea, with a fascinating medium and style, so I might see if I can actually do something like that. In short, if you're interested, it's a style of writing whereby each chapter is the size of a text message. It forces the writer to resort to greater poetry and use of whitespace to express the story, and a lot of the plot is concealed (due to writing limitations) which adds to the theme and style of the genre.

And thirdly, there are several blog post ideas that I am interested in writing, but I keep forgetting or getting side-tracked. So, I figured, rather than keep getting all flustered, I'll do what I often do to organize my brain . . . lists. I can't give you a deadline, since with Christmas coming up, family responsibilities, job-hunting & ODIN work to do, I will be quite busy; but, I can give you a checklist. So, here are seven blog posts that I am going to attempt to write for this blog in the near future:

  1. Healing Diary: A Tribute to Dr Mona
    • (Where I talk about my psychologist, because she was nice)
  2. WotD: "Speech"
    • (Where I talk about Freedom of Speech)
  3. Blogfiction: "Creature Fluff"
    • (I promised my girlfriend I would write some light, cute fiction for her)
  4. WotD: "Selfie"
    • (I want to talk about selfie culture, photography and self-portraiture)
  5. WotD: "Doxxing"
    • (Apparently, this happens a lot. I want to look at the word and the phenomenon)
  6. Duke Forever - Chapter 12: Party Crashers
    • (I want to continue this story, I'm getting to a really good bit)
  7. WotD: "Special"
    • (I want to discuss what does and does not make us special)
So, you see, I haven't been out of ideas . . . just busy. I will, in time, write about all of these things. Of course, I may occasionally write a few more posts like this in between. And I may do a special Christmas and/or New Years post around these as well. It's going to be pretty fast and loose. But, I will get around to them all, in time. All I ask is that you be patient.

I'm the Absurd Word Nerd, and until next time, feel free to leave comments, keep in touch, I'll be around . . . I just have a few stories to write first.

Friday 30 October 2015

Me Only

Ed crouches by the ravine, glaring at his reflection. The reflection in the water is warped and burbled by the fast running water.
Look at what you’ve done, says the tangle of weeds beside the water, rustling with each syllable.
Momma won’t be pleased says the Dark Ed in the water Not with sad, Lonely Eddie
“Leave momma out of this,” says Ed, “What she don’t know won’t harm her.”
But she’s so ashamed, Eddie the Dark Ed teases, making the weeds snicker. The trees sway back and forth mockingly,
“No. I don’t want it, Ed is a good boy.”
Eddie’s no good, Eddie’s all alone. The Lonely One . . . says the Dark Ed. You’re Lonely, and Just One, and you deserve no better. You’ll be alone forever.
“I didn’t mean to . . .” sobs Ed,
But you did. That kind girl. Now she’s dead rustles the weeds.
“I’m sorry. I said I was sorry! Didn’t I?!”
Perhaps . . .we should leave . . . the trees groan in unison
Leave the Lonely One alone . . . whispers the ravine, rushing vibrantly,
Like he deserves says the Dark Ed.
“No, NO! Please don’t leave me!”
Ed can’t be trusted! sneers the weeds
“Please, I’ll do anything . . .”
Will he now? says the Dark Ed . . . we will see.
THIS . . . WAY . . . creaks the little bridge. Ed is confused, but to keep the world on his side, he nods and heads to the bridge.
Follow the streetlights hum the fireflies, as they bother him down the path. Ed looks to the street beyond.
“We’re going to the girl’s house. The one from the druggist’s.”
The sky above doesn’t respond. As he steps onto the street, a mailbox suddenly screams WAIT!
Ed jumps back off the road. He walks over to the mailbox.
“Why?”
It’s not time yet . . . says the mailbox.
“I don’t like this,” says Ed, “I don’t like it at all.”
You will do as your told . . . says the mailbox, it’s lip clanging loudly as it speaks, What would you be without us? NOTHING. That’s what. Lonely little Ed and his lonely, old momma . . .
Ed is upset about them talking about his momma like that, but he bites his tongue.
Now, come here! sings the empty glass on the porch. Ed does as he’s told. He steps up to the door.
Come inside . . . says the door, with a suave demeanour.
“I don’t want to,” says Ed.
There is a scream in the distance, making Ed flinch,
I SAID COME INSIDE roars the door as it swings wide open.
Ed slowly creeps inside and the door slams shut. The house is silent.
“I don’t like it here.” Says Ed.
Here is where you wait says the door with a chuckle.
“I don’t like it here . . .” Ed whimpers to himself. As he waits, it starts to get darker, and the clock ticks mockingly
“Please, can I leave?”
NO! Roars the comfy sofa,
“But I hate it, I hate listening to you!” yells Ed.
You need us . . . flickers the light,
What would Lonely Eddie do without us? teases the Dark Ed in the hall mirror, You’re nothing without us.
And you’d be all alone . . . taunts the door.
“You know what? I don’t need you.”
All lies, you couldn’t last, Lonely Ed! The world screams.
Ed puts his hands to his head
“No! NO! I can do this alone. Me, alone, on my own. Me, Only Me! So all of you . . . SILENCE!!!
As Ed looks around the room had fallen deathly silent. Then he hears a scrambling at the door. He says to himself,
“I can do this on my own . . .”

Monster Bash, Tier 3: Final Match

  “G’day everyone, how are you all goin’? Good? I hope so . . . We have had some god-damned amazing fights in this arena, now. Battles have been waged; blood has been spilled and champions have risen from the ashes! . . . and now we come to the pointy end of this competition.” I say, adjusting my headphones as I walk towards a whiteboard with a contest bracket drawn on it, which looked like this:


 Tier 1   Tier 2  *Tier 3*  WINNER

WEREWOLF┐                        |
        ├WEREWOLF┐               |
GHOST───┘        │               |
                 ├─DEMON──┐      |
ZOMBIE──┐        │        │      |
        ├─DEMON──┘        │      |
DEMON───┘                 │      |
                          ├─ ??? |
VAMPIRE─┐                 │      |
        ├─HUMAN──┐        │      |
HUMAN───┘        │        │      |
                 ├─WITCH──┘      |
TROLL───┐        │               |
        ├─WITCH──┘               |
WITCH───┘                        |


  “Now this . . . uh this . . .” I stammer and start laughing. “The hell is this? What am I meant to do with this? What?” I stop as someone is talking into my ear. “Yes, I know it’s live, doesn’t change the fact that I don’t know what to do with this . . . okay, look, ladies and gentlemen if you’ve missed the previous fights, they’re in the blog archives, you should check them out.”
I pause for a moment as my headphones keep talking at me.
  “Pfft, no fuck off, I am not recapping the whole lot of matches, that would defeat the . . . you know what?” I take my headphones off and throw them over the fence. “We'll do it live, fuck it. Ladies and gentlemen, this evening, I am proud to announce that I am once again joined by the stunning Miss Jayalaw. Are you excited to be here?”
“Maybe not excited, but I am curious to see who will win. Both the contenders have fought through quite a bit and given their hundred and ten percent, but it’s going to be hard to go back to trick or treating and candy after this.”
  “Especially for our losers,” I say, sitting down on an Esky behind the desk. “But we have one hell of a fight this evening. So, I have to ask, which of our two monsters are you backing this evening? Will you make a call on the final fight?”
“Technically witches aren’t monsters, but I see what you mean. I do hope Melissa wins because she has been through a lot at this point.”
  “But not Carver? She did rip off her fucking hand, come on . . .”
“Ah good point,” Jayalaw admitted. “At this point I’m going to sit back and watch . . . are you drunk?”
  “Psh . . . barely. But I am looking forward to celebrating later," I say, tapping my 'seat'. "And y’know what? You're right. It’s all come down to this, I don't want to spoil the surprise by trying to analyse this to pieces. Let's just wait and see what happens. Oh, and here come our contestants now!”
On the left side near trees, On the other side of the field, three stagehands entered with summoning materials. They set up the pentagram as one of them chanted. As the ritual was complete, the candles each became a fireball that merged in the centre of the symbol to become Carver, the red-skinned, yellow-eyed woman with horns and a tail. Her right hand was replaced with a hook, and she wore a burnt bikini.
  “In this corner, Rkk’lugh O’ash’sh kss-Ra, a demon also known as ‘Carver’. In her first round, she lost her hand, only to smash her opponent’s brain, and in her second round she tore her opponent up and shoved her hook through his face! She’s a devilish beast, give it up for The Demon!”
On the right side near the church, a short woman was lead through the gate by two stage hands, one holding each arm. She was wearing a black, draping dress and a wide-brimmed hat, and had a pair of handcuffs on her wrists. One of the stagehands unlocked the cuffs and they both left to leave her standing, solemnly, with her head bowed.
  "And in this corner, Melissa Maitland. In her first match, she faced off against a powerful troll, and despite being outclassed in size, she used her ingenuity and ripped off his head. And in her second match, although there was a close call near the end, but she managed to snap his neck. She’s one Magical Mistress, give it up for The Witch!"
I jump up and scream. “Without further ado, Tonight is our final match! it’s Sorceress versus Succubus, who will win? Let’s get ready to RUMBLE! Three . . . two . . . one, FIGHT!”

Carver began by walking down the path towards her prey. with a flick of her left hand, her talons sparked and ignited, and flames crawled up her fingers to rest in her palm.
Meanwhile, Melissa just began dancing. She started by humming and slowly stamping her feet. She lowered her hands and stamped faster, singing wordlessly as she spun in a circle, and the demon watched this, smirking. As Melissa spun, the sky grew dark and the stars disappeared behind clouds. She stamped faster and faster, clapped her hands, then jumped forward held up her hands and whistled long and low. Instantly, there was a rumble of thunder, and rain began falling down, and the demon’s smile dropped.
The flames in her hand fizzled and spat as rain fell. Before it could douse it entirely, the demon growled, and the flame burst much larger and brighter. The rain fell and sizzled, but it was hot enough to stay lit. She thrusts her hand forward and sends a bolt of fire at the witch. Melissa throws her hands in front of her face, as she does, raindrops around her collect into a wobbling blanket of water. The fire extinguished as it hit the water. Then Melissa dropped her hands and the water splashed to the ground.
  “You pathetic maggot!” screamed the demon as she ran forward. She threw a fireball, and Melissa countered it with another swipe of water, which turned into steam. But Carver closed the distance between them and swung her leg. She kicked Melissa in the face, making her double back. Melissa grabs more water and smacks it into the demon, but Carver grabs her by the front of the shirt, lifts her from the ground and raises her hook to swipe.
Melissa slaps her in the face and throws out both arms. A sudden and quick gust of wind grabs the witch and she flies up into the air.
  “Don’t flee from me, human!” yells the Demon, and she throws up both hands, sending a spurt of flame high up into the air. The fire encompasses the witch’s body and she screams. As she swipes at her burning clothes, she drops out of the sky, smoking.
She hits the ground heavily, and collapses onto her back. She cries out in pain. The rain extinguishes the last of the fire, but she grabs her leg. It wasn’t broken, but she winced as she kneeled to stand up again.
  “You are weak and pathetic,” said the demon. “I tore off my own hand, and I am still standing. you twist your ankle, and you look ready to cry.”
Through gritted teeth, Melissa pointed towards the demon with her hand, and spoke in a strange tongue. In a flash, lightning cracked loudly. striking just behind her. Carver jumped and hissed. Melissa continued to speak, and swirled her hand as though casting a whip. Again, lightning struck, Carver dove aside, and the lightning struck where she had just been standing.
  “You can keep casting your magic at me all you like,” said Carver. “But you know, the moment I get my hands on you, I’ll rip your pretty tongue out.”
Melissa held her hand forward and clenched the air in front of her, then pulled down. As she did, Carver stumbled, but soon regained her footing. Melissa tried to magically grapple her again, by throwing her hand to the side. She managed to pull Carver over, but she quickly got back on her feet.
  “I think you’re growing weak, mage,” said the demon. She flicked her talons and they burst into a flame, which she quickly flared brighter as the raindrops sizzled around it, so that it wouldn’t be extinguished. “and I am growing impatient . . .” She reared her arm back so she could shoot the fire, when Melissa swung both arms around her and with a rushing sound, the ground in front of her was scooped up and she threw the dirt and mud at the demon.
The mud splattered her from head to toe, and she stood there for a moment, looking bewildered. Her hand had been extinguished, and she stood there, spitting dirt out of her mouth as Melissa gestured around her, gathering water with her hands, and she collected it all into the ditch she’d carved into the ground in front of her, until there was an oddly-shaped puddle.
The rain washed the dirt off of the demon’s face, and she looked at the witch, who was breathing heavily, exhausted. The demon looked at the puddle, and began to laugh.
  “Give up, human,” said the demon, smiling cruelly. “You might as well come here and let me kill you. Do you honestly think this little moat is going to stop me?”
The demon stepped into the shallow puddle and marched towards her pray. Melissa took a breath and spoke, which surprised the demon.
  “It’s not a moat, it’s a ‘fossa’.” said Melissa. “Also known as a murder-hole . . . or drowning-pit.”
Melissa once more held up her hand to grapple the demon, then she plunged her hand down, and the demon was thrown face-first into the puddle.
Melissa crouched there, catching her breath as the demon struggled. The water around her splashed as she thrashed with her hands and tail. She even tried to throw fire, causing the water to burble and let off bursts of steam. Melissa stayed there, holding her down with her magic. She didn’t even flinch as lightning struck in the distance.
Carver continued to fight and thrash for her life, digging at the mud with her hook, kicking her feet, but after the first minute, bubbles floated around her head, then her movements slowed considerably. The thrashes turned into light slaps at the surface, then she fell limp. Even after she stopped moving, Melissa kept holding her down.

A bell rang and I jumped up.
  “We have a winner!” I scream, running over, my suit soaking in the falling rain. “And not just any winner, the winner. The ultimate champion! This is incredible. Melissa Maitland, how does it feel?”
  “Is she dead?” asked Melissa.
  “I think so,” I say, kneeling down. “Either way, we’d call that a T.K.O . . . woo! That was pretty intense. But you’ve won! You’re Monster Supreme 2015. You are the ultimate monster. How does it feel?”
  “I think I need to lie down,” says Melissa. “I twisted my ankle.”
  “Oh yes, of course, of course. we’ll get the medic over here soon. But, ladies and gentlemen, give it up for the Witch!”
Everyone claps as we hear the ambulance driving up, in the distance.
  “Yes, you saw it here first. We put eight monsters in the ring, and in the end, only one was left. And that answers our question: Who is the ultimate monster? I’m proud to say, without a doubt, that the Monster Supreme for 2015 is the witch.”
  “I want to give a shout-out to the folks who own Horton-Meier Cemetery, for lending us their grounds for this arena - don’t worry Glen, we’ll clean this up soon. I want to thank the Tsukiyama family for their generosity. I want to give a great, big thank you to all of our contenders who participated. And finally, I want to thank you all for joining us, it’s been a pleasure. Goodnight, everybody!”
With a sigh, I throw the microphone into the puddle, and walk off the page.

Thursday 29 October 2015

Cheap Halloween Decorating Ideas!

I was looking up some ideas for posts that I could do for Halloween, for my countdown, and there were quite a few suggestions about economic ways of celebrating the scary season. Cheap Halloween Costumes, Cheap Recipes, Cheap Celebrations , etcetera.
It seems like everybody likes to celebrate, but these people don't want to lay down their hard-earned cash just to spook their family and friends.

So, I've got a couple of ideas for Halloween Decorations which you can achieve on a budget, but will still manage to scare the bejeesus out of your friends, neighbours and any trick-or-treaters that come around!
I have three little decoration ideas that you can pull off yourself. But before I start, a couple of little  but first, I need to get you in on some "Cent-Saving Suggestions":
  • D.I.Y. or Die: Never buy anything store-made. Anyone can write "Happy Halloween" on a banner; anyone can make spooky paper cutouts to stick on their windows & anyone can bake a cake with a spider drawn in the icing. Saving time is wasting money, but if you want to go to the effort to decorate, then don't skimp on time by spending money, or it will become a budgetary burden.
  • Recycle: Have you ever been walking through your house at night, and caught sight of a shadow flicking past that made you jump? Have you ever had to get something out of the cupboard and felt uneasy about the weird-looking stains on the shelf? Your house already has the capacity to be terrifying. Look around for what materials and scary things you already possess, and use them to your advantage.
  • Creativity is Free: If you have a talent for craft or drawing or art in any way, or if you have a flair for make-up or putting on a creepy voice, then employ that creativity. After all, if you - for example - know how to draw a realistic pair of eyes, then all you need to do is draw eyes on several pieces of A4 paper and stick them in your windows. Already, you've made your house a little creepier, and it only cost you a pen and a piece of paper. So, use your own talents, and you can reduce your budget tenfold.
Alright, those are just a few tips. Now, here are a few ways that you can decorate your house this Halloween, that is guaranteed to bring on the screams! I use this to decorate my home, and I always enjoy the looks of fear on everyone's faces.

The Door of Doom!!!
Why go the the trouble of outfitting your whole house with fake cobwebs and carved pumpkins if all anyone will see is the front door? Don't waste time on the small stuff, go straight for the throat and outfit your door to look like the entrance to something a great deal more terrifying than a suburban home.

You Will Need:
  • 1 large axe
  • Paint (preferably quick-drying), whichever colour(s) you have
  • Paint Brushes
  • Drop Cloth (I use an old bedsheet)
  • Double-sided sticky tape
Optional:
  • Measuring Tape
  • 1 box cutter, or scissors
  • Lighter or Matches
  • Stapler
  • Pens and Pencils
Method:
  1. You may want to start by planning your design. Maybe draw yourself an outline, but I find that a more organic look is best. Use your axe on your front door, so as to cut some nice gouges in the wood. Remember though, you're not chopping it down! Just a cut here and there to add some unsettling disorder to your front entry. Perhaps take a few swings at the banister or mailbox to mix things up.
    • Caution: Be careful with your axe, you don't want to hurt yourself.
  2. After you've created some nice dynamic damage to the front, you will want to get some paint on your paintbrush, and use it to write a message on your door. You could perhaps draw something, like a smiley face, or a cross. Personally, I like to go for the short but effective: YOU WILL ALL DIE.
    • Note: If you're concerned about getting paint on the ground, lay down your drop cloth before preparing your paint.
  3. This is where you can get creative. That alone will do, but you might want to burn some of the wood and paint with some matches to get an unsettling look and smell. or, for something simple but effective, you could use an old knife or hatchet, gouge it into the wood and leave it there, sticking out. That's one of my favourites!
This is a great way to meet, great and trick-or-treat your guests. If you want to make it even spookier, you may want to put on some eerie music, or sounds in the background. My trick is, I put on a horror movie and turn the sound up really loud . . .

Bag of Tricks
One of my favourite money-saving tricks, is to find something cheap that you can use all over the place, to cover the whole house in creepy. Some people buy bags of "cobwebs" for this very reason. But you can recycle all kinds of things around your home to make several things at once.

You Will Need:
  • Several large, black garbage bags.
  • Twine or sticky tape
  • Gloves (I use gardening gloves
Method:
  1. First, put on your gloves, then find some spare material around your house, anything you can find to fill them up. Laundry, pillows and blankets work well, but also, don't be squeamish about using actual rubbish and compost to fill your bags. I tend to have a lot of old meat and empty clothes in my basement that I can fill them with.
    • Note: Something that often terrifies people, but which is sorely underutilized, is smell. After all, a werewolf wouldn't be as scary if he smelled like fairy floss. We're scared by sour, rotten, burnt and unusual smells. So, why not use that to your advantage.
  2. Next, for that extra touch, feel free to put some aromatics into the bag. I find that milk works best, especially if you do this ahead of time, to allow the bags time to go sour. But, you may just go for eggs or cheese if you don't have any meat around, but this step is optional.
  3. Now, tie up your bags with your twine. This is where you might want to get creative, with some clever arrangements of bags and tying, you can even make what looks like a make-shift body bag,
  4. Lastly, move your bags into place, around the front of your house, near the garden, behind the doors and wherever you think would be the most unsettling.
For something a little extra, you might want to try putting a possum or a neighbour's cat inside, to give people an extra scare!

Dope on a Rope
People always find death very unsettling, so why not rub it in their faces with this fun and creepy hanging house decoration? It's guaranteed to put anyone at unease if they ring your doorbell, but it's really cheap to make and incredibly simple, anyone can do it!

You Will Need:
  • A set of clothes you're not using
  • A long rope or chain (at least 5 metres)
Optional
  • A counterweight (I sometimes use a pillowcase full of bricks)
  • Knife
Method:
  1. First, you'll need to get yourself something to fill your clothes. I find the cheapest method is to get some clothes which are already filled. To save time and effort, I sometimes wait until Halloween itself, and get the help from anyone that comes by.
    • Note: You may need a knife for this part. Just remember, the larger the victim, the heavier the corpse; pick someone easy to carry.
  2. Once you've got what you need, you just need to tie the rope around their neck. You may want to go the extra mile and tie a noose, but any old knot will do, just make sure they won't slip.
  3. Finally, tie the other end to the edge of your roof or in a nearby tree. If there's nothing to secure the other end of the rope to from your roof, you may need a counter-weight, just tie the rope to it and place it just over the apex of the roof.
    • Note: Be careful as you lower it into place, you don't want to break something.
This one is so quick and easy, you may want to make more than one. It's a clever trick to just do this a few times throughout the night. As long as you have enough supplies, you can make dozens of these and turn your home into a real horrorshow!

- - -

Anyway, those are my decorating tips. So, as you see, you don't need to break the bank to make your house spooky. I find that I we everything we need to scare your friends, neighbours and guests within the walls of your very own home. With just a little ingenuity, you too could turn your Halloween into one your neighbours will never forget!