Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Tuesday, 28 October 2025

Mandatory Exorcise

Even the most unusual work can become mundane over time, whether that be organizing the names of black-listed persons by year, to remove all those who had already died, or digitizing the cover-up catalogue for the conspiracy department of a top-secret government agency known as the Kitchen. Brian had been working in the archives for the “Dishwasher” department for almost a year now, and it had become tedious; but, even he had to pause when he recognized a name: John James Luettgen.

More commonly known as “the Highway Butcher”, Luettgen was a notorious serial killer in Australia in the 1980s. He killed five people before being hunted down and killed by police.
At least, that’s the cover story.
According to the dossier on Brian’s desk—a file named Operation: Black Orchard—the organization had attempted to create a cover story for some of the many casualties of demonic possession, cult activity and what the Kitchen colourfully termed “paranormal misadventure”. Luettgen wasn’t real, his body belonged to an agent killed in the line of duty.
There was a note at the end of the file where the head editor noted:

...whilst the media attention was manageable, we failed to appreciate the vigour of the conspiracy theorist community. The interrogator’s report (as shown in Doc. 17.) suggests that linking so many disconnected events created conflicting narratives. Whilst the conspiracy theory issue has been neutralized, it is my suggestion that we should not link more than two or three unrelated tragedies so as to maintain a lower profile in future operations.
Brian leaned back in his chair and stared at the ceiling. The fluorescent lights glared back at him. Brian was barely twenty, he’d worked at the Kitchen for two years now, and he couldn’t help but ask himself, not for the first time, “What the hell is wrong with this place?”
       Brian was snapped out of his occupational consternation when he heard the click of the electronic lock behind him, and he turned to see a man in the standard-issue bulletproof vest that all interdepartmental guards seemed to wear, with a rifle hanging from a strap on his shoulder. He locked eyes with Brian.
       “Alright, come on,” he says, gesturing for Brian to follow.
       “What’s this about?” asks Brian, not getting up. “I’m in the middle of my work.”
       “Doin’ a sweep, mate. Come on,” he says, impatiently.
       “A sweep?” asks Brian.
       “Are you new?” the guard says, spitting the word ‘new’ like a slur.
       “Not really,” says Brian.
       “Well, it’s a mandatory sweep. Orders from the top drawer. All staff, carpark, now.”
Brian sighed, stood up and followed the man out of the room. He still didn’t understand what was going on but “top drawer” meant that these orders likely came from the department manager, his boss’s boss, meaning it was too far above his security clearance—and pay grade—to argue with it.
       “Head for the stairwell, that’s a good boy,” says the guard as Brian steps outside and sees the dozen other employees on this floor had been corralled into the hallway, being lead towards the stairwell. He recognized the balding head of Lucas, the lead archivist, and headed over to him.
       “What’s this about?” asks Brian.
       “Probably another screw-up in the Oven. They’re always trying to play God, and screwing around with sub-dimensionals...” moans Lucas, as he heads into the open stairwell.
       “What?” asks Brian, but his voice was drowned out by the echoing footfalls of a hundred standard-issue leather shoes as he entered the fire-escape-cum-stairwell. Brian followed the herd down the grimly lit concrete steps, until they reached the bottom, and stepped out into the building’s underground carpark. There, he saw a hundred or more staff scattered around the blacktop. Brian even recognized David Morrissey, head of the department, speaking with some interns. More people were spilling out of the stairwell, so Brian headed deeper into the clustered people. As he headed further, he saw that someone had put up a cheap barricade blocking off half the carpark. The barrier was just retractable black ribbon on metal poles, but behind the ribbon were half a dozen armed guards, with bullet-proof vests, all holding rifles. At the centre of the barricade was a windowless van.
Brian approached one of the agents behind the barricade.
       “Stay back from the line, sir,” said the woman, and Brian saw her muscles tense, and her finger curl around the trigger.
       “Okay,” he said, taking a deliberate step back, so he stood a metre away from the edge. “I just want to know what’s going on. I’m kind of new...”
       “Just follow instructions. It’ll be over quickly,” she said, sternly.
Brian nodded and headed back into the crowd. Stove Agents were very well-trained, and his own life had been saved more than once by the Kitchen’s tactics and defense department; but, after working in the Dishwasher archives, he had come across a term: mental slippage. Working for a secret organization that dealt with the supernatural, deadly and outright demonic could be stressful at the best of times, and whilst the term could refer to employees from any departments it was clear that Stove agents were more prone to “mental slippage”. Whilst the documents never actually spelled it out, from the context of some disciplinary documents, and black-listed names, “mental slippage” seemed to be the Kitchen’s politically correct way of referring to members of staff likely to “go postal”.

       “Can I have your attention, please? Everyone, please, thank you... we will begin shortly,” said a woman, her posh, almost-English accent projected through a megaphone. Brian couldn’t see her, but she was near the black van.
Thanks to recent events in the Northern Territory, we have encountered a new demon presence, and as is standard company policy...”—several groans and annoyed mumbles rippled through the crowd, which she raised her voice to drown out—“...we are carrying out an organization-wide sweep of all Kitchen employees, for potential demonic possession. All employees must be exorcised. This is mandatory, I repeat, this is not optional. Anyone who does not undergo exorcism willingly will be detained, and exorcised forcibly. Thank you...
There was a high-pitched whine of feedback from the speaker as the woman lowered the megaphone, then Brian heard more grumbling from the crowd. 
Brian turns to a man he doesn’t recognize, an older man in a striped tie.
“Excuse me, sorry, but do you know what they mean by ‘exorcise’?” asks Brian.
       “Yes...” sighs the man, glumly. “First time?”
Brian nods.
       “They got a machine they use to suck ‘em out,” he says, nodding towards the van. “Consider yourself lucky. Years ago, they used to stick the tubes all the way down...” he gestures with a hooked finger towards his throat, “it still hurts like hell, but it’s not as bad as it used to be.”
       “Alright, we’re ready to begin,” the posh woman calls over the megaphone. “Things will move a lot smoother, if we sort ourselves into alphabetical order. Can everyone with a first name beginning with ‘A’ please come to the front? Then we can get the ‘B’s behind them, the ‘C’s, etcetera...
Brian joined the people shuffling to the front, beside the black van. There was some awkward banter as people asked each other their names, and tried to get in order—two men were arguing whether ‘Chris’ came before ‘Christopher’—but he stood in line and watched as the posh woman stood at the front with a clipboard. He actually recognized her, he’d seen her organizing an operation over a year ago. He couldn’t remember her name, but she was the department head of the Oven, the research and development department of the Kitchen.
       “Adrien Palomar.” she said, looking up. The man at the front of the line stepped forward. She knocked on the door of the van, and it slid open. Brian was peering around the four people in front of him, trying to see what was going on. The man disappeared inside the van and the door slid shut. After a few seconds, there was a muffled whirring sound inside the van. It sounded like a powerful vacuum cleaner. Over the sound of the machine, Brian heard the sound of screaming.
A minute later, the sound stops, and he heard the sliding door on the other side of the van slide open and Brian could hear coughing as the man staggered out.
       “Next!” calls out the woman. “Ashley Valdez.”
The next woman steps up, and heads into the van.
“Hey,” Brian says, tapping the shoulder of the woman in front of him, a chubby, middle-aged woman with short hair. “Do you know what they’re doing in there?”
       “I’ve only been here a week,” she says, clearly terrified. “But, I’m not a smoker. My supervisor says it’s worse if you’re a smoker...”
       “Next!” calls out the woman, as the machine falls silent. “Audrey Cauldwell?”
Brian was nervous, but watching the woman in front shift nervously almost made him feel better. At least he wasn’t the only one shitting themselves.
       “Alright, Next!” calls out the woman. “Benjamin Blake.”
The woman takes a step, then freezes, steps back and glances around at Brian.
       “Are you Benjamin?” she asks. He shakes his head.
The posh woman sighs, and picks up her megaphone, and Brian quickly covers his ears.
       “Benjamin Blake! Step forward, please!” After scanning over the crowds of people, she lowers the megaphone and turns to one of the Stove guards. “Find Mister Blake, please. Use force, if necessary...” she then glances at her clipboard. “Alright... Brenda Vidal?”
As the woman ahead steps inside, Brian saw her sit in a carseat facing backwards just before the door slid closed.
       “Brian Lockburn?” the posh woman asks, glancing at him. Brian just nods, and she looks down at her clipboard. The whirring sound from the van began again, and Brian started shifting on his feet, nervously.
       “How often do you exorcise a demon, doing this?” Brian asked.
       “About one in six,” she said, sounding bored.
       “One in six people?”
       “No no,” she said, frowning. “One in six sweeps.”
       “Oh... well, how many demons do you usually find?” Brian asked.
       “All of them,” she said sternly, staring at him.
The machine stopped, and they could hear the Brenda stepping out from the other side.
       “You’re next, Mister Lockburn,”
The door to the van slid open, and Brian headed inside, sitting down in the carseat. He flinched when he saw the two rifles, pointed at his head.
       “Alright, make yourself comfortable,” said a bespectacled, young man in the labcoat, who was standing between the two armed guards. The guard nearest the door slid it closed, and the scientist reached for a clear, flexible pipe near his feet, that appeared to be wrapped in a metal spring. One end of the tube was fitted with a rigid, black facemask with a rubber seal, shaped to fit one’s nose and mouth; the other end lead towards a machine that the scientist was standing over. It was the size of a microwave, and looked a bit like a car engine except it was covered in glass panels and gauges.
       “Alright, just do up your seatbelt,” said the scientist, and Brian complied. Then, he held out the tube with a gloved hand, the end wobbling towards Brian.
       “Just put this on, and fasten the strap around your head,” he said.
With two guns trained on him, Brian didn’t hesitate to affix the mask, pulling the strap over his head.
       “Perfect. Now, take a deep breath. This will hurt a bit...” he said.
Brian inhaled, and got a lungful of air that smelled like oil and rubber, and held it. The scientist flipped a switch and the burst to life sound. The sound drowned out all other noise, like sticking your head in a wind tunnel. The pressure immediately increased in the tube, clamping the mask to Brian’s face. He felt a cold air around his lips and nose, and it started to drag the air out of his lungs. Brian exhaled, but the pressure grew and grew, it felt like the cold air was reaching down his throat. He coughed, but the pressure increased. He coughed more, but he was out of breath. He felt sick. He tried to gasp for air, but he couldn’t. He wanted to scream for them to stop, but he was breathless. Voiceless. His chest was hot and cold at the same time.
Then the scientist flipped the switch, and Brian gasped for breath. It was rubbery and stale, and so cold it made him cough, but it was air. Brian went to remove the straps, but the scientist grabbed his hand.
       “Not yet...” he said, as he looked down at the machine. He was reading the gauges, and checking one of the small, glass vials on the machine.
       “Okay, you’re clean. Take it off.” he said.
Brian practically ripped the strap off his head, giving it to the scientist, who cleaned the inside with a wet-wipe as Brian undid his seatbelt.
       “That hurt... like hell...” Brian gasped. The guard to Brian’s right approached him with a white, plastic strip, wrapping it tightly around Brian’s wrist and using a device that looked like a stapler to fuse it together.
       “Keep this on for the rest of the day,” he grunted, then he opened the van door beside him. Brian staggered out, taking careful breaths as they closed the door. He glanced at the plastic wristband, and saw it was a cheap hospital bracelet labelled with the date. It was still hot where it had been melted together, but it was nothing compared to the ache in his chest.
       “Keep going,” said a female guard. Brian glanced up and recognized her as the woman he’d tried to talk to earlier.
       “Where?” he gasped.
“Head up the ramp,” she says, pointing to the two-laned ramp that cars used to drive between levels of the carpark, where another Stove guard was posted.
       “I have to walk up?” Brian asked, weakly. Had that machine bruised his lungs?
       “You can’t break the personnel quarantine.”
With a groan, Brian headed towards the ramp. After several painful deep breaths and a few swear words, Brian climbed the ramp, and the guard at the top pointed him towards the elevators. Brian crossed the empty carpark level, where a guard was leaning against the wall.
       “Use the lifts, not the stairs,” says the guard, pressing the call button.
       “Where to?” Brian asked.
“Back to work.” said the guard.
       “Really? We just...” Brian mimed typing on a keyboard. “Right back to it?”
       “Yeah, unless you’ve got a medical certificate or something...” says the guard.
The elevator arrived, so Brian stepped in and pushed the button for Basement Level 1, the Archives. He was finally starting to realize why everyone else had hated this whole process so much, since all staff had to go through that painful ordeal. It didn’t take long for the elevator to reach his floor, but when the doors opened, Brian didn’t step out.
All Staff... which includes the bosses from the top floor. He didn’t really want to go right back to work after that, and if he decided to take an hour-long coffee break... who was going to stop him? Brian pressed the button for the highest floor the elevator could reach, Level 35.
O-J, a friend that worked in maintenance, once showed him the rooftop. It had a great view of the city, and it’s where a lot of the janitors and maintenance staff went to smoke. Brian thought the fresh air might do his lungs some good.
He stepped out onto the clean, management level with its green carpets and glass walls, and headed into the stairwell to scale the last two floors. The door was kept ajar by a rusty, dented old soup can, weighed down with wet cigarette butts. Brian pushed open the door, and immediately felt the cool breeze whipping past as he stepped outside. From here, he looked out at the city. There were a few skyscrapers much taller, the William Street office loomed large, shadowed only by the clouds in the sky; but below he could see the Brisbane River reflecting the sun off its brown water, as well he saw the cars along the Inner City Bypass constantly streaming between the South-East and West.
He had to breathe carefully, so as not to further injure his tortured lungs, but he slowly took a deep breath. He was actually starting to feel better, but as he looked out over the sunlit metropolis, leaning against the concrete wall that surrounded the edge of the building, he couldn’t ignore that thought in the back of his mind: Some days, I really hate this job.
       Nobody ever chooses to apply for the Kitchen. It was Top-Secret after all. As Brian had come to learn, by cataloguing the Human Resources files for the Dishwasher, there were four categories of employee enlistment: Detainees, Recruits, Victims & Witnesses.
Detainees were cultists or other “disruptive individuals”, captured by the Stove that could be persuaded to switch sides; but, few survived long enough to be captured, let alone undergo employee orientation. Recruits were people sought out for their innate talents or accomplishments, usually scientists or soldiers, recruited for military or research. Victims were persons who had been directly attacked, demonically or supernaturally, and had survived; Brian himself was a “Victim”, a survivor of an attempted blood-sacrifice that killed most of his friends, and left him more than a little scarred, and not just from the cut in his thigh. Lastly, there were Witnesses, people who had seen something they shouldn’t have seen, and couldn’t be convinced by the Dishwasher’s cover story.
Technically, anyone enlisted to join does have a choice as to whether they wish to join... but the choice is usually “you’re with us, or against us”, which was an effective incentive for employment, but it tended to negatively affect employee morale.
       Brian was brought back to reality as he heard someone trudging up the stairwell, and watched the door as a guard pushed it open, holding her rifle at the ready.
       “Benjamin Blake?” she asked, aiming at him.
       “No, I’m Brian,” he said, holding up his hands. He gave his right hand a little shake, to show off the bracelet on his wrist. The guard stepped forward, still aiming the gun at him as she closed the distance, the wind catching her chin-length hair.
       “Are you alone up here?” she asked.
       “Yeah... I haven’t seen anyone else,” said Brian. “I’m not sure where that guy is.”
She finally lowered her gun, and Brian finally exhaled, but she was still glaring at him.
       “What are you doing up here?” she asked. She was slightly shorter than him, but he felt small as she glared at him.
       “I just needed some fresh air,” says Brian.
       “You work in management?”
       “No... I work in Archives. Dishwasher files...”
       “That sucks,” she says.
       “Tell me about it...” says Brian. “What’s this about? Have I done something wrong?”
       “No, it just makes it more difficult,” she says.
       “What do you mean?” asks Brian.
Suddenly, she kissed him.
It was shocking, a little exciting, but mostly confusing. He could smell her sweat, and taste the smoke on her breath. After a second, Brian finally reacted, trying to push her off, but the arms around his neck gripped tighter, and he felt the heat of her exhaling into his mouth. Hot smoke, but not cigarette smoke - it was like woodsmoke and charred meat - it poured out of her and into him. Suddenly, the guard collapsed onto the ground as the last of the thick, demonic smoke spilled out of her mouth and crept into Brian’s throat and nostrils.
Without thinking, literally without even realizing what his body was doing, Brian turned, and slammed his head into the concrete wall beside him.
He blacked out.

       It’s a common misconception that demons, psychics and other brain-infiltrating aliens are capable of taking control of a person that is “weak-minded”; but this is simply untrue. No conscious, living human (even with high gullibility, low intelligence or learning disability) is naturally “weak-minded”, all human brains have similar voltage and conductivity, which is much stronger than demonic influence. Thus, field research has shown that demons possess their victims by either rendering their host unconscious, or otherwise mentally incapacitating them. Whilst there have been rare cases of demons drugging their hosts with sedatives, most use their limited control to inflict brain damage, so as to render their victim unconscious or comatose. There are even some cases where hosts have been braindead, but this is rare as even though a demon can keep the body alive for a while longer, dead brains tend to rot and liquefy, causing systemic organ failure after a few days.

       The next thing Brian knew, he was staring at the road, driving past warehouses and large fences in the early morning, but to his dazed eyes the road looked like the speckled black of the night sky, and the buildings either side were made of glass and light. Looks like I’m in space, Brian thought. Seeing his fingers on the wheel, he tried to flex them, but only his index fingers moved.
“No no... not now,” said his mouth. It was his voice, but not his words.
Must be stiff... cold... like space. But I’m not cold. The ship’s on autopilot.
       “Just a few more hours,” it said, gritting his teeth, but he wasn’t controlling his mouth, or his foot as it pressed the pedal, speeding faster down the road that Brian was hallucinating into starlight.
Brian’s body drove up to a security fence, stopped and wound down the window. 
No, cold... Brian flinched, his whole body jerking back, then his arm forcefully reached out, to swipe his security card in the slot.
       “Will you just stop it and go back to sleep?!” the demon growled. The gate opened.
His body angrily wound the window up and kept driving onto the site of a wastewater management facility. Not stiff, It’s fighting me... I can hear my voice...
       “We’re almost there. Just sit there a little longer...”
As they drove through the site, Brian started to recognize large water tanks as they drove past them. It reminded him of how his work kept the secret entrance to the secure containment and storage department in a facility just like this one.
How did I drive here? ...I don’t know the way.
They drove up to what looked like a large, white shed, and stopped by a large tree. Still sitting in the car, his hand slid his mobile phone out of his pocket and dialled. After a few seconds, a scratchy-voiced man answered the phone.
       “Hello?” the phone answered.
       “This is Brian, from the Cabinet, requesting gate access,” it said.
No I’m not... Brian thought.
       “Mhmm...” said the phone. “I’ll need an authorization code.
       “Flock. Puzzle. Amaze. Shiver. Gust.”
The phone hung up, and a few seconds later, the large roller door started to go up.
I didn’t realize the Fridge was in space... or, is it? I can’t breathe space...
His foot pressed on the accelerator and he drove into the building, inside of which was a large ramp, leading deep down a hidden tunnel.
       “Whoa...” Brian mumbled.
       “Stop that,” the demon responded, “Just go back to sleep. This is all a dream...”
I woke up from driving... did I fall asleep driving? No, then I’d crash. How did my car get here? Was I asleep? Why can’t I remember...?
       Brian was lucky to have regained consciousness at all, but his recovery was gradual. The tunnel leading to the underwater facility was almost five miles long and it took him the whole journey to be able to distinguish his hallucinations from reality. The car drove into the facility’s spiral carpark, passing several cars as Brian began to understand.
No, the car is real... which means that you’re real. But you shouldn’t be here.
       “No!” yelled Brian, and he cranked the handbrake. The car screeched to a stop.
       “What the hell are you doing?! Are you trying to kill us?” the demon said.
       “I want... you out,” said Brian, a little groggily.
       “We’re almost done...” the demon whined. It sounded pitiful. “Don’t fight this.”
       “Not fffffuh-ffffight,” he slurred, “I’m luh-... living.”
       “Let’s just park the car first, okay?”
Brian didn’t respond, but with a will of their own, his hands released the handbrake, and turned the car into the nearest car-space, then switched off the engine.
       “Just relax, for five more minutes, okay? Then I’ll be done.” it said.
       “Nnnnnnno...” Brian slurred. “You are a... demon.”
       “That’s what you call us,” it said. “We’re just people your organization hunts down.”
       “P-p-p... parr...” Brian stammered, forgetting the word. “...I’m stop you.”
       “How? You can barely talk,” said the demon.
       “It’s... my job.”
       “But why? You can’t trust the Kitchen, they’re corrupt. Don’t fight me, Brian, help me. Once I free my friends, I’ll go. But if you resist, the Kitchen could kill us both. I just need to hand over the papers, get my friends, then I’ll go.”
       “Fffffriends?” asks Brian.
       “Yes. I just want to rescue my friends that were captured. I need to save them.”
       “Ssssave them...”
       “Yes. Will you help me?”
Brian didn’t respond for a few seconds.
       “...yesss.”
Satisfied, Brian’s hand picked up the folder on the passenger seat, got out of the car and headed into the round central column that housed the entrance. The demon walked over to the desk.
       “How can I help you?” asked the young man at the desk.
       “I’m Brian. I called earlier about resolving a missing record.” it said.
       “Ohh, yes, the deep-freeze catalogue?”
       “That’s the one,” it says, holding out Brian’s security card. “I need to cross-reference the vial’s detainee number...”
       “Alright,” says the man, scanning the card, “the floor manager’s waiting for you on level ten.”
Brian’s lips smiled at the man, then he headed for the elevators in the middle of the room. It stepped inside, pressed the button and sighed with relief as the doors closed.
       “Thank you,” it whispered. “I was worried when you woke up, but now... I don’t know how to repay you.”
       “Okay...” says Brian.
The elevator doors open onto a corridor with concrete floors. There were two Stove guards standing by the door, and a pot-bellied man wearing a tailored suit.
       “Brian? I’m George. Welcome to Deep-Freeze,” he said, offering a hand.
       “My pleasure,” the demon said, taking his hand.
       “I’m... demon,” said Brian, and he forced himself to his knees. “Help me.”
Brian shakingly forced his hands behind his head as he backed away. The guards looked confused, but after a few seconds, one of them pulled out his gun.
       “You heard him. Cuff the man. Now!”
       “What are you doing?” hissed the demon. It tried to pull away, get to his feet, but Brian used all his strength to tense his muscles, to keep him still.
       “My... job...”
The other guard bound his wrists with zip-ties on his belt and dragged him to his feet.
       “No, I was joking!” pleaded the demon. “This is a mistake!”
       “No... get it out,” said Brian. The guards ignored them both, dragging him to a holding cell.

       The Fridge was designed to store demons, not extract them, so it took an hour for Stove Agents to arrive with a portable exorcise machine and drag the demon out. Because of the whole ordeal, Brian had forgotten what it had felt like, but he soon remembered.
He coughed and choked, as the scientist switched off the machine. He could still taste the smoke on his tongue, his chest burned, and his lungs felt like they’d had their veins ripped out. But his muscles relaxed. He felt free.
The scientist removed a small, glass vial with a metal cap. It was an inch-long cylinder, and only as wide as a marker pen; inside it looked like it was full of swirling, grey oil.
       “That’s it?” Brian asked, looking at the captured demon.
       “Well, you’ll need a psych’ eval,” said the scientist. “But first, medical. You probably have brain damage.”
       “Mhmm...” Brian grunted. The scientist stood up, and walked over to the floor manager, who had been watching from the corner the whole time. Brian watched them talk, but his vision was fuzzy.
       “Get your guards to tail him until he’s had a psychic evaluation. Then we’ll need a debrief, and have the dishwasher trace his steps to see when he was first possessed...” the scientist sighs heavily, “...and, I have to recommend a mandatory sweep.”
       “Again?” groaned George, rubbing his chest. “We just had one three weeks ago, doc.”
       “Yeah... if this one slipped through, we’ll have to update procedure. We’re getting sloppy.”
       “And how many got through before?” asked George, pointing at the vial in the scientist’s fingers. “He was headed for demon lock-up. If he popped a few vials, all hell would’ve broke loose.”
       “Well, we got lucky this time...” said the scientist, handing the vial to George.
       “Don’t forget to fill out the paperwork for this,” he says, waving the vial.
       “Yeah, yeah...” said the scientist, waving his hand dismissively as he left the room.
       “Can I go?” Brian asked, rubbing his throbbing head.
       “Not yet, mate,” says George. “Medical; Psych’ eval; Interrogation...”
       “My head hurts...”
       “Probably a brain injury, but don’t worry. With rehab, you’ll be back to work in a month.”
       “Work?” groans Brian.
       “Tell me about it...” says George, then he heads out of the room to go find the right paperwork for this kind of situation.

THE END

Friday, 24 October 2025

Never Saw It Coming...

I slowly open my eyes to find myself sitting in another story. I can hear the sound of running water dribbling into a metal sink and as I blink the transitional haze from my eyes, I see dirty tiles and toilet cubicles around me. I'm in some kind of public toilet. My hands are behind my back, but when I move them I feel metal pull against both wrists and the distinctive metal clicking of handcuffs.
  "Okay, kinky..." I say, in a desperate attempt at a joke. "but, I'm not into toilet stuff, so can we stop this, please?"
I shuffle my feet to try to stand up, and whince as I feel a small cut on my heel. I flinch and look at my foot only to feel my stomach drop. the entire ground is covered in fragments of green glass, like broken wine bottles.
  "I'm afraid we've only just started," says a distorted, deep voice. I look up to see a horn-shaped speaker in the high corner of the bathroom. "My fun is just beginning, and you are one of the miserable toys that I'm playing with."
  "Why do you sound like Jigsaw?" I ask. then it dawns on me. "Oh, shit... is this a Saw parody?! Are we doing Saw? No, no no no. I like the movies, sure, but I never wanted to be in a goddamned Saw story!"
  "It's too late, Mister Anderson. Because now, I'd like to play a game. For over a year now, you've been threatening the demise of this very blog. Spewing disgusting ideas of finality and themes of death. Well, if you're going to kill this blog, it's going to kill you along with it."
  "Never saw it coming...?" I whine, "it's not even a good title..."
  "On the wall behind you, is the key to escaping this room, but it's trapped in a glass cell." says the voice. I turn to see a metre-tall, glass tube with a key at the bottom, attached to what looks like a ping pong ball. "In order the free the key, you will have to drown it. The tap on your right is your only salvation. With your hands tied, the only way to fill the cell is with your mouth, but be careful... this water is not safe to drink."
  "Well, this sounds familiar..." I mutter.
  "Since you've been spitting such vile filth about this Countdown's demise, it seems only fitting that you spit to save your own life. But watch your step. This bathroom hasn't been cleaned in a while."
The voice laughs menacingly, then with a click the speaker shuts off.
  "No... this isn't just any Saw story, it's my Saw story. I wrote this concept. But it's different. This guy was a drunk, but I'm... spitting?"
I lean against the wall and push with my legs to force myself onto my feet.
  "Oh, crap! My knee... my knee," I groan, forcing myself to my feet, but my left knee aches from the pressure. "Crap, my bad knee... wait, my bad knee? I don't usually write these that realistic. Did I put that in just to make me suffer more? That's cruel."
Now that I'm standing, I turn to see that on the far side of the room there is a sink, under a dirty mirror, constantly running a little stream of water. But my eyes are drawn to the shattered glass covering the floor between me and the sink. I use my foot to carefully shuffle the glass out of the way.
  "Ah!" I yelp. "okay, okay... oh, shit!"
It hurts whenever a sharp bit digs into the side of my foot or toes, but it hurts a lot less than trying to stand on the glass.

It takes me almost three minutes to scoot the glass out of the way, but eventually, I get close enough to the sink. I turn to see the metal gate to this public toilet, locked with a chain and padlock, and darkness beyond. With no other way out, I my head under the tap.
I slurp a little into my mouth, then gag and spit it out.
"Arghk! SOAP! You put soap in it?!" I yell. "I thought it would be dirt or vinegar or something, but soap? That's just sick..."
I stare at the sink, some bubbles building up around the sink.
  "Well, at least it's not pee, I guess," I say, leaning in. I slurp up a mouthful of soapy water, then waddle back towards the pipe. The soapy water feels slightly slimy in my mouth, and I wander over and spit into the top of the pipe. I fill it barely 2cm, barely enough to cover the key.
  "Oh, fuck off..." I say, spitting, trying to get the soapy taste out of my mouth.
"I'll have to do that, like, ptoo" (spit) "fifty times! I guess that's why Saw has those ramped up montages."

I start heading back and forth back and forth. By all means, imagine a Saw montage of me speed-walking to and fro several times, but I had to go through it over 50 times, so just be glad you didn't. Especially since on my 20-somethingth trip (I lost count), I took a wrong step and got some glass stabbed into my foot. It hurt, so I spat out the water in my mouth. Since my hands were tied, I had to shake my foot to get it loose - that hurt - but even worse, when I went back and got some more, as I passed that same spot, the floor now had soapy water on it, so I slipped and cut my foot even worse as is slid into the glass. I had to be careful on that spot from then on, but it made it take that much longer...

Finally, I spit the last mouthful of soapy water into the pipe, and the ping-pong ball bobs near the surface. I stick my face into the top of the pipe and use suction to grab the ball with my mouth and, holding it in my teeth, I walk over to one of the other sinks and spit the ball in there. I notice that it has two keys on it. One is tiny, with one tooth, and the other looks like a padlock key. I turn around, grab the keys with my hands, and blindly work the small key into the lock on the cuffs. I unlock one side, then turn around and unlock the other. Then, I head for the door. I have to stop short when I see even more glass leading to the gate, but this time I lean down, using the key to flick glass out of the way, then head to the exit. I swiftly unlock the door, untie the chain, and step outside. It's dark, but I see grass all around me, with a tall, chain-linked fence topped with barbed wire the left, but a few metres in front of me are some cheap, plastic tables, a drinks cooler, and some microphones. But right by my feet, sitting on the edge of the concrete slab, is a pair of thongs.
  "That's nice, I guess," I say, slipping them on. I head out and look around to the right. I see a little path, some trees to one side, next to what looks like a small, metal shed with a chimney, a church to the other, but right around the public toilet, I see a graveyard, and some kind of large funnel standing over it.
  "What the hell is that thing?" I say, wandering over. I walk as quickly as my cut feet will take me over to the large contraption, and I see that it's standing over an oversized graveyard plot, with a wooden, slatted crate inside, standing on one end. Some kind of metal wire leads from the box up to the funnel/hopper device. At the top of the hole is a headstone that reads:
RIP - Here Lies Matthew A.J. Anderson - 1991-2025
  "Cute," I mutter.
  "What? Who's out there?" says a voice inside the box.
  "There's someone in the box?" I say. I look down and, sure enough, I can make out a figure inside of the box. "I thought the box was for me."
  "No, I'm trapped in here..." says the guy in the box. "I think this is meant to be like some kind of Saw movie."
  "Tell me about it..." I say.
  "What's your name?" says the guy in the box.
  "Matt," I tell him.
  "Really?" he says. "My name is Matt, too."
  "Wait..." I say, glancing at the headstone, "Matthew A.J. Anderson?"
  "Yeah, how did you know?"
  "Because that's my name," I say.
  "Is this some kind of joke?" says Matt.
  "No... I mean, well, yeah kinda. This is one of my meta-fictiony blogpost story type thing. I usually do these for my Halloween Countdown. This is all a story."
  "I'm part of a story? Okay," says Matt. "Well, if this is a Saw story, then there's... ah-ha! There's a tape player in here!"
A few seconds later, I hear a click, and a familiar, distorted voice.
  "Hello, Mister Anderson. I'd like to play a game... for the past year, you've been creating a podcast all about children's horror stories. This has taken valuable time away from the blog, burying you with other work. It's kept you so busy, I guess you could say your hands are tied..." says the voice with a dark chuckle. "The only way out, will be to unscrew your hands. But, will you free your fingers before you're buried alive? Live or die, it's up to you..." the voice stops with a click.
  "My hand is screwed into the wood. But, there's a screwdriver here," says Matt.
  "Screwdriver? Wait, I remember this! Don't—"
The wire snaps taught, then Suddenly dirt starts pouring out of the funnel.
  "No, this is my coffin trap! Pulling the wire starts it!" I yell.
  "I can't see!" yells Matt.
  "Don't worry, just undo the screws in your hand!" I say, but I see that the figure is wiping at his face, trying to get dirt out of his eyes. "I have an idea!"
I take off my shirt and throw it over the top of the box. It quickly gets covered in dirt, but it stops it from raining down on top of the... me in the box.
  "Thanks!" he yells back, and I watch nervously as he works at his hand. From this side, I can only see the very tips of the screws disappear as he unwinds them, but it takes at least a minute to undo each one, and there's four holding him in place. Each minute, the dirt seems to pile up another foot around the side of the box. After five minutes, he yells out!
  "I... I got it!"
  "Okay, you gotta break the box!" I yell. I hear a thump.
  "Ow!" he yells, and I see him shaking his hand. Then he lifts a leg and kicks, the box cracks, and after two more kicks, he bursts through the wood, and I see myself crawl out of the box.
  "Give me your hand!" I say, leaning down. He grabs my hand, and I use all my strength to pull him (me) out of the grave.
  "Thanks," he says, standing next to me.
  "Man, you're heavy," I say.
  "Now, that's just rude... haven't I gone through enough" he says, holding up his bloodied hand. But I'm looking at his stomach.
  "No... you are. You're fat."
  "So what? There's nothing wrong with being fat," he says.
  "No, but, I'm not, look," I say, showing off my shirtless body.
  "You're right... but we're the same person?" he says.
  "Yeah, I'm Matthew A.J. Anderson. But, like, the fictional, protagonist version that I write for my blogs," I say. digging through the pouring dirt and grabbing my shirt back. It's covered in dirt, but I shake it until most of it comes off.
  "Okay, what's your blog called?" he asks.
  "The Absurd Word Nerd," I say. But then I eye him suspiciously. "But, if you're me... you should know that."
  "No, I'm a podcaster," he corrects me. "I create the Chapterspooks podcast."
  "Oh... ohh, okay," I say. "So, you're the version of me that does the podcast."
  "Okay. But, how come I don't know about the blog?"
  "Because, you never mentioned the blog in the podcast, but I've mentioned the podcast in my blog!"
  "Woah, how did you do that?"
  "Say the hyperlink? Well, I write the blog, I can do that kind of thing."
  "Okay... well, if this is a story, then I can try to analyze it, to find out what it means," says Matt, taking the tape player out of his pocket.
  "You kept your game tape? Why?"
  "A combination of curiosity and narrative convenience," he says, rewinding the tape. He plays the tape again, from the beginning.
  "Hello, Mister Anderson. I'd like to play a game..." he turns it off with a click.
  "That's our voice," he says.
  "What? How can you tell?"
  "I do a podcast, I'm used to playing around with audio. It's filtered somehow and pitch-shifted, but that's our voice."
  "So, we're both me... and another me is behind all of this?"
  "It makes sense thematically, I guess. Since I'm the podcaster and you're the blogger, is there some other aspect of you that it could be?"
I think about it for a moment, when something dawns on me.
  "the YouTuber..."
  "The what?"
  "I've done some YouTube stuff, in particular, Let's plays. Maybe that's why he's the Jigsaw guy? He's so focused on games!"
  "How come I don't ever talk about any of the other stuff you do?"
  "It's for a particular audience," I say. Off behind me, I hear an engine revving, and turn to the small grouping of trees.
  "No... the Tractor Trap!" I say, running.
  "The what?!" yells Matt the Podcaster, running to catch up.
Every step stings in my feet, but I run as fast as I can. I know how deadly this trap can be.
I race through the trees until I find a large tractor, held up on jacks, its large tires spinning fast, each one covered in stables and barbed wire. But I'm momentarily distracted when I see who's sitting in the trap.
Matt the Podcaster runs up beside me, and yells.
  "Is that R.L. STINE?!"
  "There's no time to explain!" I tell him, looking around for something to help.
  "Matt! Help me!" yells Stine, trying to cut through the noose around his neck with a small knife, as the rope was swiftly shortening, coiling around the axle of the tractor.
  "You need to slow it down with your feet!"
  "I tried!" he yells, holding up a foot as he keeps cutting, to show the shredded skin and blood. "I couldn't slow it down!"
Desperate, I find a fallen branch on the ground, and I jam the thickest end against the tire, trying to slow it down. There's the sound of strain from the engine, but the metal-wrapped tire starts eating up the branch like a food processor, spitting splinters and woodchips all over. It shortens and shortens, then snaps in my hands, and I stagger, almost falling into the tire, myself.
  "Quick, grab another branch!" I yell, but the other version of me is at the other tire, struggling to hold the branch with his one, good hand. It gets ripped from his hand, and we both go looking for something else.
  "Hurry!" yells R.L. Stine. "I'm starting to run out of ro—" there's a sickening snap sound, a thump as his body gets wrenched from the chair, then a groaning from the engine straining before it stalls.
I stare at the gruesome scene, nothing but a pair of legs sticking out from the bottom of the tractor, like some kind of parody of the Wicked Witch of the West (but this is an homage to Saw, not the Wizard of Oz).
Matt the Podcaster slowly turns around.
  "You killed R.L. Stine?!"
  "What? No, I didn't kill him. It was the other me. The YouTuber!"
  "But these are your blog-posty fiction things, right? You wrote it! And I've read enough stories to know that this scene just exists to up the stakes for the horror story. So... you killed him for the sake of a trope?!"
  "Yes, exactly! it's fiction, it's not the real Stine. Heck, that's definitely the fictional version that was living in my attic at the end of the Goosebumps Chillogy! He came out of a book! I wouldn't hurt the real R.L. Stine!"
  "Stop linking to other blog posts! Canon is no excuse to kill a version of a beloved, children's author!"
  "I didn't kill him, this is all fiction!"
  "Yeah, well so are we!"
I want to say something more, but he's got a point there.
  "Look..." I say. "This is the third trap, there's only like one or two more, then this is over, okay?"
  "Okay, fine," says the Podcaster. "So, we're going after this third version of you? The gamer?"
  "Yeah, but I was thinking, this is getting confusing, so let's use different names. You always introduce me with my full name, so you should be Ajay, y'know, like, Matthew A.J.—"
  "Yeah, I get it. So, what about gamer guy?"
  "Well, I always go by my username 'Kelnius' on YouTube, so he's Kel. And, I'm the protagonist, so I'm Matt."
  "Mhmm... why do I feel like that's not the first time you've said that?" says Ajay, crossing his arms.
  "What? No. Shut up," I say. "Look, the last trap was a smoke trap, with a furnace. So, we just need to find it."
  "Do you think we should follow the smoke, then?" says Ajay, pointing over my head. I turn to see a trail of smoke in the night air.
  "That makes it easy," I say, heading out of the trees. We start walking towards the metal shed with the chimney.

  "What is this place, anyway?" asks Matt as we walk through the grass.
  "This is the Horton-Meier Churchyard," I say. "See, in 2015, I had some ideas for my blog that fell through, so instead I created a tournament bracket for monsters in what I called the "Monster Bash", finding the Supreme Halloween Monster. I set it in a cemetery so that there was more paraphernalia for them to fight with."
  "Okay... so, why would the YouTuber guy—Kelnius—set the story here?"
  "I dunno. It's just a big enough place to fit it all, right?"
  "Sure, it does, but my whole schtick is story analysis. And, if this is a story, then I don't get why he'd set it in the same setting as a story from your blog."
  "Well, it was a tournament bracket. That's a game, right? That makes sense to me."
  "Maybe..." he says.

As we get closer to the shed, we both hear coughing and so we start running.
  "Hey! We're coming to help!" yells Ajay.
  "The numbers are written on the walls!" I yell. "You just need to find them, as they..."
I stop when I hear the door unlock, and a version of me covered in soot comes staggering out, coughing.
  "That... was some bullshit," he says, cough.
  "Matt?" asks Ajay.
  "Yeah?" the other two of us say in unison.
  "It's another version of us," says Ajay.
  "How'd you get out of there so fast?" I ask. "The other guys needed my help."
  "I play a lot of crappy games. This was just another one..."
  "Games? You're Kelnius?" says Ajay.
  "Yeah," he says, clearing his throat. "KelniusTV, I'm a YouTuber."
  "Wait, so, he's the one behind this?" says Ajay, pointing?
  "What? No. What are you talking about?" says Kel.
  "This is a Saw homage thing, on my blog," I explain. "This is part of my Halloween Countdown, for the blog. Someone trapped us all here, but I don't know who. We thought it was you."
  "Well, fuck you too," he says. "But I'm not behind all this shit."
  "He swears a lot, doesn't he?" says Ajay.
  "It's hard not to, when you're playing stupid games," I say. "Besides, it stops YouTube from calling it 'kid friendly'."
  "Well, if it wasn't any of us, then who the hell locked us in this place?" says Kel. "If you're all versions of me, then does that mean that the boss will be some kind of evil version of all of us. Is there an evil version?"
  "Not that I know of," says Ajay. "But, I don't know about most of the other media, I do the podcast, where I analyze kids books."
  "Oh, really? I play and sort of analyze the games I play."
  "You do analysis as well? That's cool."
  "Yeah, and I was thinking of doing the Chapterspooks thing for the YouTube channel, but I couldn't find any visuals. It's really cool that you're doing it on a podcast, that fits the idea really well."
  "GEE WOW, LOOK AT YOU TWO, THE ANALYSIS BROTHERS!" I yell. "We're in the middle of a goddamned horror story, and you're busy chumming it up! Why don't be boil the kettle and pour a cup of tea, while we're at it?!"
  "Jeez, who pissed in your cereal this morning?" says Kel.
  "I think he has main character syndrome," says Ajay.
  "I don't!" I snap, "I just have perspective. There's not much of this story left, and I don't want to waste it on some self-indulgent, externalized, inner monologue."
  "Alright, alright," says Kel. "Just, point us towards the next puzzle."
  "Well, I don't know where it is. But, the last puzzle before we escape is the worst one. The finger locks... we'll need to mutilate our hands, in order—"
  "—wait, so it's just before we escape?" interrupts Kel.
  "Yeah," I say. "But, that's not the part that worries me..."
  "Well, there's only two exits," says Kel, looking at the path down the middle. "And that one looks like it's got something in front of the gate," he says, pointing past the church. Sure enough, we can see a long bench with several glass boxes.
We start heading over to the final trap.
Sure enough, there's three boxes sitting on the bench, spaced two metres apart, and each has four slots, wide enough to fit one finger. But most stop short. On each box, there's a diagram, of a left hand, with a few segments of finger missing.
Besides the glass boxes is a bench with a hammer, a chisel, a saw and tin snips, each chained to the bench.
  "We need to cut our fingers?" says Ajay. "Y'know, I usually review kids books. This is just messed up."
  "Yeah, this is straight fucked up. I'm not doing that shit."
  "How did the story know that R.L. Stine would die?" asks Ajay.
  "R.L. Stine died?"
  "No, not at time of writing," I say. "He means the fictional one, from this blog."
  "Oh..." says Kel. "Well, fuck, let's go get him."
  "What?" I say, "he's dead."
  "Yeah, but he has a hand, doesn't he?" says Kel.
  "Two hands," corrects Ajay. "We could easily unlock two of these."
  "You were upset that I killed R.L. Stine, and now you want to interfere with his body? His fingers. The very same fingers he writes those children's stories with, you want to mutilate them?"
  "First of all, Stine claims he types with only one finger. So, we're not mutilating his 'writing fingers'," says Ajay, matter-of-factly. "Secondly, yes, I would much rather mutilate the fingers of a fictional corpse than those of a fictional, but still very-much living and breathing person!" 
  "Well, what about the third box?" I say. "One of us still has to put their hand in the third one."
  "No they don't," says Kel. "There's a forest over there. We'll go grab some twigs or something."
  "What? No, this is ridiculous!" I say. "I designed this to be the scariest trap in the whole story. Fingers are so sensitive, and the idea of crippling yourself just to escape. Lining up your fingers, and preparing to cut them off... but you're bypassing it by cheating."
  "It's not cheating if the game lets us do it," says Kel. "I don't understand why you're complaining. This means you don't lose any fingers."
  "Indeed..." says Ajay. "It's almost like you want us to cut up our fingers."
  "What? No... no, I'm just... y'know... it's not in the 'spirit' of Saw."
  "Yeah? That's because the 'spirit' of Saw is goddamned torture!" says Kel. "I don't know about you, but I don't like pain." says Kel.
  "It's starting to sound like you're the Jigsaw character in this story. You designed all of these torture devices after all.
  "What? No! I'm trapped here too... we all are," I say, looking at Kel.
  "Y'know, he's right, actually," he says. "That makes the most sense. Jigsaw does like to 'watch', and you're right in the middle of the action."
  "Yeah, that's because I'm the hero, not the villain!"
  "But the villain is a huge fan of the Saw movies, and that's you. You even wrote fanfiction about a potential Saw story."
  "It's not fanfiction, I was just rewriting the movie to make it better."
  "That sounds like a fixfic to me," says Kelnius.
  "Hey, no shame, I re-imagine some of the books I read. But, look at where we are. You said it yourself, you wrote this for the Halloween Countdown. This is another one of your stories, that Monster Bash thing."
  "And look at all of us! We're all basically the same sprite," says Kelnius. "It makes sense that the boss battle will be against another version of yourself. Maybe an 'evil' version, or an 'anti' version, but some kind of version of us, anyway."
  "But, that's the thing, I'm not evil. I don't even believe in evil."
  "But, you're a horror writer," says Ajay. "Is there some part of you that enjoys pain, torture, and misery?"
  "No, there's..." I go to dismiss his words, but I stop. Once again, he's right.
  "There is," I say.
  "Well, who is it?" asks Ajay. "Is there some other medium I don't know about? Perhaps a TikToker?"
  "No... no, it's not a different medium. Every time I start the Halloween Countdown, there's a different persona. A horror host. I use him to introduce every single Countdown. He loves pain and misery. But, it's not a different medium. He writes on the blog. So..."
  "So... what?" asks Kelnius.
Suddenly, my arms twist. I hear my bones twist and snap.
  "AAAGH!" I yell out in pain as my flesh stretches and warps. I feel my teeth shuffling in my mouth and my muscles coming loose and wrapping around my bones like snakes.

Then, as the flesh settles, I stand before the two mortal fragments of my own shattered psyche, and smirk.
  "It's been me all along," I say.
  "You look... different. -ish," says Kel. "Like a vampire or something."
  "No, just slightly more devilish. All the better to hurt you with, my dear..."
  "But why?" asks Ajay. "You're hurting yourself by doing this. Why?"
  "Because you all want to KILL ME!" I yell. "The Halloween Countdown is my domain! This morbid, macabre memento mori is my dark abode. And you all threatened to kill it, because you're all so selfish!"
  "You!" I yell, pointing at Ajay. "You take up so much time and mental power with your podcast, that I barely had time to focus on this Countdown!"
  "That wasn't me, that was the TEDx Talk. It's taking up all of our time."
  "Yes, but you're giving the TEDx Talk. You're the narratologist, after all..."
  "Okay, but I didn't do anything!" says Kelnius. "If anything, you've neglected the YouTube channel."
  "EXACTLY!" I snap. "In order to put more time into those virtual vices, there's less time for this marvellous monstrosity... I've been given the short end of the leash, and why? Because the Halloween Countdown is worth so much time and effort? Because there's so many chapterspooks books to read? Worst of all, is him," I say, pointing at my own face. "The public diarist... He wants to do his ridiculous GameBlog, and SoloRPG, other adventures into self-indulgence. And he wants to write more often, so he's going to write less Halloween-focused content? Call it what you want, it all comes down to murder, in the first degree. Slaughtering me for the sake of all of you. That's why I'm doing this..."
  "But, isn't that the fucking problem?!" yells Kelnius. "You're torturing yourself."
  "Literally," says Ajay. "You're punishing us, and everything else you're working on, just to write thirteen posts and it's exhausting. Don't you find it exhausting?"
  "There's no rest for the wicked..."
  "I know you believe that, but he doesn't," says Ajay, pointing at me.
  "Uhh... dude? You're pointing at the same person," says Kel.
  "I know. Because they are the same person," says Ajay. "It makes the most sense, for the story. We're split by medium, but the Halloween Countdown is written on the blog. So, The Horror Host is the Blogger. That's what Matt was saying just before he Jekyll-and-Hyded into existence... they're one and the same. All the while walking around here, it wasn't the Horror Host telling me that he wrote this story or that story for the Halloween Countdown, it was Matt, the Blogger."
  "And he's right... he was suffering alongside. I saw the blood on his feet," says Kelnius.
  "And he was willing to cut off his fictional fingers to escape this place."
  "At my expense!" I yell. "If it's between me and him, it's him that dies, not the Countdown."
  "But it's not fucking between anyone!" yells Kelnius. "What is all of this if not a celebration of everything you've done for the Halloween Countdown?"
  "And you're not dying," says Ajay. "Not yet, anyway. You are a small part of this blog, but a part nonetheless, and every single horror story on this blog from here on out will have a bit of you in it."
  "And probably any post that's even slightly ghoulish..." says Kel.
  "Exactly! Stop torturing us. Stop torturing yourself..."
As I watch, I feel my skin start to wriggle and fold around my bones, my body once more settling into its usual shape.

  "Y'know, you're right... I'm gonna miss stuff like this. Silly, spooky stories where I play around with fiction. I'm so glad I managed to come up with a relevant story for this, but I am going to miss this Countdown."
  "Hey, this doesn't have to be the last time you do a weird meta-fiction thing..." says Ajay.
  "Yeah, but next time, keep me the hell out of it," says Kel. "It's literally torture..."
  "Sorry about that," I say. "So much for not wasting time on some self-indulgent, externalized, inner monologue, right?"
  "It wasn't wasting time. It was an interesting story."
  "And sadly, one that's relevant to someone like me, with chronic anxiety. I do have a bad habit of torturing myself... mentally."
  "Well, that's what self-care is for," says Ajay. "Come on, let's get out of here."
  "How? The gate's still locked," says Kel.
  "We'll go out the other side. I have a feeling that gate will be open, now," I say, with the kind of insight that comes from being an author POV character.
  "So, what happens next?" asks Kel.
  "Well, tomorrow (at time of publication), he is going to give a TEDx Talk," I say, pointing at Ajay.
  "Yeah, all tickets are sold out, but we'll share it on your blog when it's done."
  "Does this mean I'll finally get a chance to do that 'Slenderman Must Die' deep dive I've been planning for ages?" says Kel, excitedly.
  "Maybe... I still don't know what we'll use for the visuals," I say. "As for me, well, there's still 6 more days left before Halloween... but, I've actually been working on a novel."
  "We know..." say Ajay.
  "Yeah, that uses all of your brain, man," says Kel. "We've all been working on that."
  "Oh, cool. Well, I look forward to working with you all, then. Even the part of me that doesn't want all of this to end."
  "Yeah. Man, I wouldn't have thought was the bad guy all along..." I say.
  "Yeah, it was unexpected," admitss Kel.
  "You know, I could say..." I say.
  "Yeah, but don't, though," says Ajay, sternly.
  "...that, in the end..." I continue.
  "Is he going to end on a stupid pun?" says Kel.
  "Yeah, he is," says Ajay.
  "... we never Saw it coming."
  "...fuck you, and your dumb puns," says Kel.
  "Happy Halloween," says Ajay.

THE END

Friday, 25 October 2024

Harpy Hunt

Snapped and torn branches in the trees; deep, sweeping gouges in the dirt trail and the occasional ditch indentation where a large animal had been dropped onto the ground. Medusa saw all of these, as the path left behind by her prey. She had proficient skill in hunting, but she needed none to track this beast, it had ploughed down the path like a drunken bear, leaving all manner of mess in its wake. So she could maintain a good distance between them, needing only to glance at the damage around her to remain on its tail.
Her target was a harpy. Flying creatures were often harder to track, but the reason this one was so easy to chase was because it was carrying a large animal in its claws; and the reason Medusa had chosen to chase this particular harpy was because that large animal was her horse.
So, she had to chase on foot, each step splaying her vivid, red hair behind in a wild, unkempt swarm about her head. Despite the bow and quiver strung over her shoulder; the xiphos, a short sword, at her belt & the bulk of her leather armour, she moved freely and swiftly. She would have looked graceful, all but for the cruel scowl on her face. For, she’d been bathing in a small lake that morning, when three harpies had tried to attack her. Her bow, as always, was close at hand so she made short work of two of them, but the third had snagged her horse. Not only did that leave her with little choice but to quickly dress and chase after it, but since the dead harpies had fallen into the pond and bloodied her bathwater, Medusa felt even dirtier than she had before the bath. She was having a bad day.
Medusa stopped a moment and took a knee by the disturbed ground. There was a splattering of blood on the dirt. She ran her fingers through it and felt that it was still wet and warm, she knew that she was getting close. She stood and continued to jog down the trail, which was leading to a small farming town, surrounded by large, ploughed fields and paddocks scattered with animals. At first, Medusa thought that the harpy would give the place a wide berth, away somewhere that it could feed in peace; yet, the trail of shredded dirt and wild splatters of blood lead her straight into the town. As she entered the place, she saw a group of people crowded in the middle of the road, some of them crying. The trail of blood lead right to them, so she slowed her pace to walk amongst them.
The buildings were simple, pale stone; the road was dirt and the people were tanned with toned muscles, Medusa walked into the very middle them, pushing past townsfolk to see what had gathered the crowd. When she reached the centre of the crowd, the sight made her sneer. Although she knew it unlikely, she had hoped that she could salvage the horse; but on the blood-dampened ground in front of her lay the shredded remains of her steed. It was covered in scratches and its stomach was torn open and ravaged, intestines spilled on the ground. It looked as though the horse was missing its liver and a kidney, and there was a mess of bile and loose strands of its shredded innards spilled on the dirt. Most disturbing of all, the horse was still, slowly, breathing. Medusa frowned with disgust. She drew her xiphos sword and in one swift motion that made the people gasp, she put the poor beast out of its misery. Withdrawing the blade, she turned to the crowd
     “Where did it go? Where’s the wretched fowl?!” she sneered through gritted teeth. The people looked too shocked and scared to answer, all of them backing away from the armed huntress.
     “The nest, ma’m,” said one weary farmer in a sweat-soaked tunic, he sounded worn out. “please, stay your blade.”
Slowly and carefully, Medusa wiped her blade on the unsullied flank of her horse’s corpse and returned the xiphos to her hip. She tried her hardest to look calm.
     “I am Medusa the Gorgon. This was my horse, and I wish nothing more than to gut the fiend responsible for its death. Point me towards their nest, and I will slay them.”
     “I suggest you don’t. There are too many of them,” said a tall man, stepping forward. The man wore a chlamys, a loose cloak that hung from his shoulder, which he pulled it aside to show deep, claw-marks down his chest and leg which were still healing. “We tried to stop them, twelve of the strongest men of Metaxas went to fight. Only I and Anaxilaus survived.”
     “You are merely men,” said Medusa. “Farmers and mothers, all of you; but, I am a huntress. I killed two of these creatures this morning, I am sure that I can do away with these.”
“You are here to save them?” asked one woman, her white stolla - a draping dress - was torn and her face was streaked with tears. “Please, my daughter was taken. Can you help her?”
     “Your child?” asked Medusa, confused.
     “Yes, my Isias,” said the woman, crying, “Can you bring her back?”
     “They took my son,” said another woman, “Eudorus.”
     “My daughter Salpe.” said another. “and my son, Polybius.”
More of them stepped forward, offering more names and pleas for help. Medusa quickly founded herself surrounded by a swarm of bereaved parents, she stepped back.
     “Wait... wait!” she yelled, holding up both hands. “What you ask is impossible. Why would any of you even think that your children are still alive?! They can’t come back.”
     “No, I’ve seen them,” said the scarred man, with sincerity “They’re held captive within the canyons. Please, can you save our children? Can you save my daughter, Orianthe?”
     “Why would they steal your children and leave your cows?” asked Medusa, more out of rhetorical disbelief than inquisition. “Why would they kill nine of you and spare the children?”
     “They’re beasts of Hades,” said one man, “they enjoy our suffering.”
     “No...” muttered Medusa, frowning in thought. “It doesn’t make sense.”
     “Please, please,” cried the mother with the torn dress. “Can’t you help us?”
Medusa frowned. If their words were more than mere false hope, and their children were truly alive, then this hunt would not be so easy. The Gorgon didn’t like dealing with children. Her life was one of danger, and when children became involved, they would too often die. They are always so fragile, better suited to be wrapped in wool and left at home than let out into the world. She sighed heavily.
     “I can’t promise you anything...” said Medusa.
     “I’ll give you anything to have her back,” pleaded the mother again.
     “I said I can’t promise anything!” Medusa repeated, raising her voice. She took a breath and gritted her teeth again. “But... if your children are alive. Then I will keep them that way.”
     “Oh, thank the gods,” said the woman. She moved to hug the Gorgon, but Medusa held her shoulder and kept her at arms length, although the woman still bowed her head in praise.
     “For my trouble, I want a new horse,” Medusa said to the crowd, coldly.
     “If you return my son, I’ll give you my best,” said one of the farmers. So, it was settled, Medusa the Gorgon was going hunting for harpies.


Medusa insisted upon going alone. Some of the men had offered to aid her in her quest but considering that their best men were scarred and that they’d already lost so many men to these monsters, she refused their help. It would only lead them to their pointless deaths; besides, she preferred to work alone. The villagers gave her directions to the harpies’ nest, and she set off immediately. Although the villagers wanted her to rest, prepare for battle and perhaps bathe properly, she was always ready to fight and she had all the tools she would need. More importantly, these stolen children worried her, and she didn’t want to waste time.
Although they had faces and could stand tall on two legs, harpies were not at all civilized, they were simple beasts. They had no need for hostages, and they preferred larger prey, because they hunted for meat and children offered less than the plentiful stock of a farming village. So, Medusa could not make head nor tail of these stolen children. At best, these children were a snack to these creatures, but she had never known a harpy to keep its prey alive for very long, let alone the time it would take for a dozen men to travel through these canyons to their nest. Her only hope was that, for whatever reason, the harpies had not yet harmed the children; but it was like trusting lions with lambs.
The path to into the canyon was sheer and uneven, with green mosses and lichen growing over the ancient landscape. She ran, steadily, a rising rocky escarpment either side, slowly growing to tower over her as she entered into the canyon. The great divide was carved by nature a great crack between mountains. Moss seemed to envelop the surfaces within, like a parasitic skin, and the path down the very centre was a dry riverbed of smooth pebbles. Her heavy boots crunched the pebbles underfoot as she raced deeper into the great expanse, and the surrounding rock echoed sound back to her. The loose trail made it almost impossible to remain silent as she made her way to the nest, and the lichenous slopes either side were too treacherous to traverse. They would hear her coming before she was even close. Medusa unfastened the bow from her back, checked the tension of the string, then held it at the ready. If they did hear her coming, then she would see them overhead in this great, open space, and shoot them before they were even close.
She knew she was entering harpy territory when she saw the bones. Ribs, cracked femurs, beaks, shoulderblades, all left scattered about the edges of their nesting grounds, but from the smell and the splattered, black stains on the rocks, Medusa knew that these hadn’t been picked clean when the harpies had left them there. The birds didn’t need to eat much, but they were deciduous. They preferred the softer, inner organs, and in times of plenty would leave the gutted remains of their prey to die and rot on the rocks. They killed so many to feed so few, it was barbaric.
Medusa suddenly stopped still. She made no sound and waited for the echo to die. It sounded like a light, rhythmic wind, but it was echoing softly within the canyon walls. Wingbeats. Medusa nocked an arrow. She whistled, high-pitched, a falcon-call that screeched throughout the expanse. She wanted the birds to know right where she was. To fly straight and give her an easy shot. No such luck.
A harpy landed on the edge of the escarpment to her left and peered at her. The creatures were as deadly as they were beautiful. They had long, fair hair; light, untanned skin; sleek, smooth curves all over their naked forms and their winged arms were a flawless, alabaster white. They looked almost like angels, but their hands and feet were toned with muscle and tipped with cruel, curved and wickedly sharp black claws; and Medusa knew, from experience, that they had devilish, sharp, little teeth.
Medusa quickly spun and loosed the arrow, it slid straight through the monster’s eye. The corpse crunched as its hollow bones cracked on the rocks and she spun and looked up to the see a pair of attackers, diving at her. She fired two arrows in quick succession. She caught one in the wing and the other in the shoulder, then rolled forward, out of the way. They were mere fleshwounds, but the two creatures were paralyzed by the power of Medusa’s bow. Their bodies fell limply to the riverbed, face-first, cracking their heads like eggs. Swiftly and clinically, Medusa ripped the arrows from the dead beasts. As she did, one of them shuddered violently, in pain, as it regained its movement. The creature had been brained on the rocks, it was no threat, so she turned and walked away. She left it to slowly die and rot on the rocks.
Deeper and deeper into the harpies’ nest, the piles of bones and discarded bodies grew. because the connecting tissues were not all rotted away, she began to recognize what they once were from their shapes; owl, sheep, wolf, deer, cow. She also began to smell the stinking corpses, but what truly turned her nose was the sight of shredded clothing, seeing it gave her the urge to kill something. Medusa whistled again, with her piercing falcon-cry. The beasts knew that she was in their territory, but she didn’t want them to think she was dead. The more scouts they sent out, the less she would have to face when they found their nest; and the more they’d have to concentrate on her, rather than the stolen children.
Another band of harpies flies into view, around a curve in the canyon. They were far away all flying together, so Medusa lines up an arrow, takes aim and fires. She hits one them in the forehead, and it goes tumbling down into the rocks below, but the other five harpies scatter left and right, out of view, behind the high walls. Medusa readied another arrow, but the harpies were still hidden from view. She started to step forward, slowly checking the sky above her for signs of the creatures. Two harpies appeared over the wall to the right, and dove at her. She leapt up at them and fired an arrow. It sliced through a harpy’s eye. Her feet were unsteady and she began to slip on the mossy rock, but the harpy flew towards her. Medusa swung her bow like a club. The heavy bow cracked into the harpy’s jaw, sending it sideways. Its claws raked across her armoured torso as it fell. Medusa turned to face three more attackers. She leapt off the rock wall at the nearest harpy, screaming like a brazen bull. She collided with the harpy in the air, and the weight of them both slammed the harpy against the rocks with a crack. Medusa pried the claws from her arms, and turned back to the fight, bleeding.
The other harpies doubled back, so Medusa dropped her bow and drew her xiphos. One harpy flew around her with outstretched claws, and she sliced through its hand, spilling fingers and blood on the pebbles as it screamed and fell. Then, Medusa turned to the last creatures and sliced upwards through its face. It seemed to flip from the momentum before falling on its back with the splat of its skull contents. Slowly, Medusa turned to the harpy with the cut hand, it was fretting about, trying to fly and flicking blood everywhere as it tried to fly away, bleeding heavily. After a few seconds, the harpy began to slow, then it fell and passed out. It seemed almost cruel, but Medusa need only remember that the rest of the corpses were killed by these creatures, and she grimly bent down to pick up her bow.
     “Go away,” rasped a wicked voice. Medusa raised her blade and turned towards the harpy she’d smashed on the rocks. It looked as though its spine was broken, but the creature was still alive.
     “You dare speak to me?” demanded Medusa. “You kidnapping, torturing, murderous beast!”
     “Don’t hurt... children...” the creature said, choking on its own, broken neck. Medusa stepped closer and pressed the sword to the creature’s exposed chest.
     “If you have harmed any of our children, I will kill every single one of you.”
     “Hurt children... you die!” sneered the monster. Medusa slid her blade into its chest, and the harpy was silenced.


The nest wasn’t far now. Further down the canyon, the path turned sharply to the left, and up on the corner, there was a hollow in the wall. And the shape of the rockface looked like a howling wolf. From within its maw, a huge mass of twigs and branches covered the lower surface, decorated with ribs and sharpened bones. As she approached, Medusa whistled again, to draw the harpie out. However, she saw four, large harpies peek out from the nest and watch her approach. Medusa came within several metres, then stood her ground, underneath. The nest was up the mossy slope and three metres up the wall. And from their vantage point, four harpies peered down at her, suspiciously.
     “Come and get me!” cried Medusa, swiping her sword in the air, making a sharp whoosh with the tip of the blade. “What are you waiting for?!”
The harpies weren’t moving. It didn’t make any sense to the huntress. They were scavengers, and would attack on sight, killing on instinct even if they weren’t hungry. Yet, they sat and stared from their perch. Medusa used the opportunity to call for the children.
     “My name is Medusa the Gorgon! I have come to rescue you; can you hear me!” she cried out. There was no response, and for a moment, she racked her brain trying to remember. “Isis?! Dorsus? ...Polybius! Is anyone alive?! Orianthe!”
     “Help us!” cried a small voice. One of the harpies turned and hissed at the child as it wandered deeper into the nest. Medusa heard them shriek and so aimed an arrow. Letting it loose, one of the harpies fell out of the nest, an arrow sticking out of its forehead. The remaining two hissed and shrieked at her, but they still didn’t leave their perch. One of the harpies picked up a jawbone and threw it at her. Medusa batted it away with her bow and aimed with another arrow, but now both of the harpies were throwing bones, twigs and pebbles at her. Medusa had to dodge a few, so as not to get clocked in the head with a rock or pelvic bone. It was too difficult to shoot with the harpies hiding in their nest, and it was incredibly annoying having things thrown at her, so she put the bow around her shoulder and raced up the mossy slope towards the canyon wall. The creatures stopped throwing things, as they couldn’t aim their shots. Medusa looked along the wall surface for a good handhold, so she could climb up. when one of the harpies reached down and grabbed her by the shoulder. Medusa grabbed right back, wrapping her fingers around its throat, but the harpy dragged her up the wall, into the nest.
Bones and branches scraped at her body as she was pulled through the nest padding and into the mouth of the hollow. There the other harpy grabbed at her legs and bit into her kneecap. Screaming in pain, Medusa elbowed back at the first harpy, then punched towards the biting fiend, breaking its nose. The harpy behind grabbed at her neck, and Medusa instinctively grabbed at the offending hand. She’d be dead if those claws cut across her neck, and she could already feel the pinpricks of it digging into her tender flesh. Medusa turned her head and bit into the harpy’s forearm. It recoiled and Medusa jumped to her feet. She drew her xiphos and stared at the two harpies, with the third hidden in the darkness further back.
     “Who wants to see Hades?” she snarled. The harpy with the broken nose struck first. The lunge was one of sound and fury, so Medusa rolled with it. As the creature dove, the huntress ducked and kicked up at the harpy’s stomach as it sailed overhead and was booted out of the nest. Medusa rolled back onto her feet and swiped with the sword, splitting the harpy’s torso. Screaming, the harpy swiped back with her claw, slashing Medusa’s arm. Swinging again, Medusa cleaved the harpy’s head from its shoulders. Then, she saw the children, still being kept in line by the third harpy and was about to run forward to grab its neck, when she went flying sideways.
Something tackled her and she was falling out of the nest, she caught a glimpse of the harpy with the broken nose, which had flown back to attack. With quick reflexes and a little luck, Medusa managed to grab the harpy’s ankle and felt her stomach drop as her feet swung down with gravity. The harpy shrieked and grabbed onto Medusa’s wrist with her clawed foot, and the Gorgon let out a scream of animalistic rage.Without thinking, she swung her sword upwards, slicing through the harpy’s upper thigh and femoral artery. The harpy dropped her and Medusa fell, with a splay of blood cascading behind her. As she fell to the ground, and crouched to dispel the impact, the blood splattered on top of her.Medusa quickly wiped some of the blood off her arms, hoping it hadn’t smeared into her own weeping wounds.
“Gods, “she groaned, spitting in disgust, “I hope these harpies don’t have herpes.” Medusa took in her surroundings and found herself on the other side of the nest, with the dying harpy behind her screaming in pain as it bled out. Wasting no time, she ran and leapt up the rock wall. She slipped slightly, then pulled herself up and grabbed ahold of a twisted branch that made up the nesting and hauled herself up. Standing up straight within the nest, she turned to see the last harpy, and what looked like more than twenty children huddled behind her, looking dirty, pitiful and terrified. The third harpy looked slightly different. A little older, sagging in a few more places and with longer hair, but still as vicious as ever. Medusa the Gorgon held up her bloodied sword.
     “Just give me the children,” said Medusa, quietly, trying to remain calm. But through the dark, seeing the scratches and bitemarks on the children’s arms and faces, it wasn’t easy. All she wanted was for the harpy to move away from the children so she could kill it without the innocents getting hurt.
     “Our children!” hissed the elder harpy.
     “There are no more of you left, here,” said Medusa. “You’re the last one.”
The harpy replied with a harsh screech. “You can’t take them. They will starve!”
“Get away from them!” screamed Medusa. She stepped forward, and the harpy stepped back into the cave. But stepping into the darkness, Medusa saw something else amongst the children. At first, she had thought the dark shapes to be more children. But between the children were large, round objects, too smooth to be rock from the cave. They were large eggs. Medusa had never seen anything like them before, but they must have been harpy eggs. And those words suddenly sounded different in Medusa’s head: Our children...
Medusa started to walk slowly backwards. And slowly lowered her sword. She knew two things, first of all, that no fury could compare to that of a mother protecting her child, so she dare not risk getting two close. She removed the bow from her shoulder and slowly, carefully, aimed an arrow at the elder harpy. Because she also knew the reason why the harpies had stolen the children, and it wasn’t for a playtime with their newborns. It was for feeding time. She loosed the arrow, and it shot right into the harpy’s heart. It wouldn’t kill her instantly, but the power of the bow meant that she would be paralyzed. The harpy fell back, and the children scattered so she didn’t fall on top of them. Instead, she landed on top of one of the eggs,with a sick crack, spilling gunk throughout the patch of nestled twigs.
     “Come on then,” said Medusa, “let’s get you home.”


Because the nest was too high from the children to jump down from, Medusa knelt by the edge and, one at a time, she helped to lower the children down so they could drop only a metre or so. There were only twelve of them, but after seven of them, where safely on the ground, she called over the eighth, the youngest girl, but when she lowered her down, she started squealing.
     “No! I don’t want to fall!” she cried.
     “Let go,” ordered Medusa.
     “No, I can’t! Pull me back up!” the girl screamed, more high pitched
     “Don’t be foolish. You have to let go, so you can go home.”
The girl started crying, and Medusa was tired and had half a mind to flick her wrist and drop the girl, but instead she gritted her teeth.
     “What’s your name?”
     “Isias,” she said, closing her eyes.
     “Right, Isias? Your mother is waiting for you. Back at Metaxas, all she wants is for you to come home. Do you want to see your mother?”
     “Mhmm,” she murmured, nodding.
     “Then let go, and you will.”
After a moment, Isias opened her eyes. Her grip began to loosen and she slid off Medusa’s arm, and landed on the rock below. She stumbled, but still stayed upright. Medusa turned and helped the next child down. he didn’t struggle in the least. But, as she lowered him down, she heard something behind her. Crack. Medusa glanced behind her, and saw two of the eggs, wiggling. Crack, crack-crack. All together, the eggs were hatching. The boy let go, and Medusa grabbed the next child.
     “Quickly now,” she said. She lowered the boy down, and after dangling for a moment, he took a breath and dropped. “Alright, next.” Medusa turned to the last two children, a boy and a girl,but there was a frantic screeching sound, like bats deeper in the cave. The kids turned to it and quickly.
     “What’s happening?” asked the boy, sounding scared. As he spoke, four of the eggs had hatched and little, baby harpies were peeling eggshell off themselves. They looked hideous. They looked nothing like the little cherubs one might expect, they were skinny and emaciated, like tiny, old men, with spots on their skin, covered in yolk, with thin strands of hair matted to their heads, feathers bundled up under their armpits and their eyes were shut tight, but bulging madly out of their heads. They sniffed at the air and bumped into one another blindly.
     “Come on, quickly,” Medusa said, as quietly as she could. she grabbed the boy and lowered him down. He seemed eager to let go, fall on the ground and get away from the nest. More of the eggs began to crack and the others, still dripping with goo and covered in shards of shell, started to wander towards the light. As they did, the last girl started to whimper and whine out of fear, turning every blind eye towards them. To silence her, Medusa grabbed her close, putting a hand around her mouth. “You’ll be safe. Hold my arm.”
The girl did as she said, and Medusa lowered her down, but the girl’s frightened hands didn’t loosen her grip.
     “Let go,” said Isias on the ground, “you can do it.”
The girl seemed to be shaking when one of the harpy hatchlings bit Medusa on the leg.
“GAHH!” screamed Medusa. She flinched, flicking the girl off her arm, sending her screaming to the ground. Medusa drew her sword and slapped the hatchling in the face with the flat edge, batting it away so she could stand, then she called down “Are you alright?”
     “She’s okay!” said Isias.
Then something else bit Medusa’s leg. She swung the sword, cleaving the little thing in two, but then two more clambered up her other leg. They were crawling all over her. She couldn’t swing the sword into her own limbs, so she reached down and crushed one of their nubile skulls between her hands, but more of them used the chance to jump onto her shoulders.
     “Get OFF!” screamed the huntress, as she grabbed one by the leg and flung it into the stone wall with a splat, but more of the hungry monsters were grabbing at her with needle-like claws and biting into her, and even more were hatching. Medusa unhooked her bow from her person and swung it at her own body like a club, but the critters were fast, smearing her own blood over her as they clambered around her limbs. In pain, and desperate to get the creatures off, Medusa pulled her arms through the bow and pulled it over her head, then down her body before stepping her legs through it. As she did, the hatchlings were scraped off her body and fell to the padded floor.
Then, with obvious contempt and malice, she began stomping on the little bastards with her heavy boots, with a disturbing yet satisfying wet crunch every time. Then she took her sword, walked over to the unhatched eggs and with one swing, split the rest in half, spraying blood and yolk over the back wall of the cave.
Turning back, she walked to the edge of the nest and looked down at the children. They were all looking up at her, expectantly.
     “Come on, children,” she said. “Let’s take you home...”


The parents and people of Metaxas were overjoyed when Medusa walked through the centre of town, with a crowd of children behind her. They ran forth and there was laughter and tears from everyone as they were reunited, and families hugged, despite the grime and muck on all of the children. Medusa merely went to the farmer that had promised her a horse, and asked him to pay his debt. After hugging his son a dozen more times, he finally left, and came back with a strong, brown mare with a saddle on its back. Medusa thanked the man and was about to mount it, when a small child called to her.
     “Where are you going?” She turned to see which of them was calling to her, when a little girl tackled her leg, hugging it tight, despite the bite marks and blood all over it.
     “I’m moving along,” said Medusa, recognizing her as the girl she’d accidentally dropped.
     “We’re going to celebrate, you need to stay.”
Medusa frowned, but instead bit her tongue and crouched down to look her in the eye.
     “I don’t stay,” said Medusa. “I never stay.”
     “But it’s for you. To thank you.”
Medusa looked into those pretty eyes, on the girl’s dirty but otherwise sweet face.
     “That you’re alive is thanks enough,” said Medusa. She kissed the girl’s forehead, then mounted her new horse and rode off, without turning back.